Celebrity analysis

How attractive is Sylvester Stallone - Facial Harmony Analysis

Actor - Rocky, Rambo, The Expendables

Sylvester Stallone's jaw does the heavy lifting, with a wide jaw cut at a clean corner, high cheekbones, wide temples and a full mouth with a deep cupid's bow. The rest reads long and heavy, with a narrow frame, a forehead that slopes back, round flat-set eyes with no upward tilt, a nose that spreads wide at the base and no jaw-to-neck line.

Gender:
Male
Ethnicity:
Italian, French and Ukrainian Jewish American
Eyes:
Brown
Harmony:
5.6 / 10
Sylvester Stallone front portrait
Sylvester Stallone side portrait

Analysis by RateMyFaceAI, using AI-placed, hand-verified landmarks on these photographs. Photo angle, expression, and placement affect the result. Read our methodology.

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Harmony report

Sylvester Stallone's facial harmony

Every pin on these photos verified by hand, then scored the same way your own analysis is. These scores describe shape and ratios only.

Front view

4.9

out of 10

Bottom 49%

Side view

6.8

out of 10

Top 8.6%

Best looking out of 3 people

Front harmony

Front analysis

34 available measurements from this image.

4.9/ 10 harmony
Sylvester Stallone front reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Facial thirds

6.5 / 10

Top third28.94%

Ideal 30 to 32

7.3
Middle third35.49%

Ideal 31.4 to 33.4

2.3
Lower third35.57%

Ideal 33.9 to 37

10.0

Face shape

4.1 / 10

Face width to height1.60

Ideal 1.96 to 2

0.0
Bitemporal width94.74%

Ideal 86.5 to 92.5

9.2
Midface ratio0.87

Ideal 0.97 to 1

1.1
0.0
Cheekbone height88.70%

Ideal 83 to 100

10.0

Eyes and brows

5.8 / 10

Lateral canthal tilt1.0 deg

Ideal 6 to 7.7

0.0
Eyebrow low setedness0.89

Ideal 0 to 0.45

5.3
Eye aspect ratio2.06

Ideal 3 to 3.5

0.0
Eye separation ratio45.04%

Ideal 45.7 to 46.8

9.5
One eye apart test1.15

Ideal 1.05 to 1.1

9.0
Eyebrow tilt5.7 deg

Ideal 6.5 to 11

9.7
Brow length to face width0.63

Ideal 0.69 to 0.76

7.2

Nose

6.0 / 10

Ipsilateral alar angle79.9 deg

Ideal 86.5 to 92.5

0.0
Deviation of IAA and JFA11.4 deg

Ideal 0 to 2.5

0.0
Nose bridge to nose width2.11

Ideal 2.06 to 2.14

10.0
Intercanthal to nasal width1.16

Ideal 1.04 to 1.16

10.0
Nose tip position2.1 mm

Ideal 0 to 3

10.0

Mouth and lips

5.1 / 10

Cupid's bow depth3.1 mm

Ideal 2.3 to 4

10.0
Chin to philtrum ratio2.17

Ideal 2.15 to 2.45

10.0
Lower to upper lip ratio2.38

Ideal 1.55 to 1.85

0.0
Lip fullness0.37

Ideal 0.297 to 0.363

9.9
Interpupillary to mouth width0.73

Ideal 0.83 to 0.87

1.8
Mouth to nose width1.25

Ideal 1.42 to 1.5

0.0
Mouth corner position-1.2 mm

Ideal 0 to 4

4.0

Ears

6.2 / 10

Ear protrusion ratio11.92%

Ideal 8 to 12

10.0
Ear protrusion angle13.6 deg

Ideal 10 to 11.5

2.4

Jaw, neck and lower face

9.8 / 10

Jaw slope138.1 deg

Ideal 140 to 142.5

9.0
Bigonial width90.84%

Ideal 87.5 to 91.5

10.0
Lower third proportion31.07%

Ideal 31 to 33.5

10.0
Jaw frontal angle91.2 deg

Ideal 86.5 to 92.5

10.0
Neck width96.39%

Ideal 92 to 98

10.0

Side harmony

Side analysis

34 available measurements from this image.

6.8/ 10 harmony
Sylvester Stallone side reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Forehead and brow

2.0 / 10

Browridge inclination12.9 deg

Ideal 15 to 22

5.9
Nasofrontal angle136.9 deg

Ideal 116 to 128

0.0
Upper forehead slope6.8 deg

Ideal 0 to 2

0.0

Profile convexity

6.9 / 10

Z angle79.3 deg

Ideal 78 to 82

10.0
Total facial convexity143.8 deg

Ideal 140 to 147

10.0
Orbital vector-2.1 mm

Ideal 1 to 10

2.3
Facial convexity (glabella)169.7 deg

Ideal 170 to 175

9.9
Anterior facial depth71.4 deg

Ideal 64.5 to 67.5

6.6
Facial convexity (nasion)168.6 deg

Ideal 163 to 166

6.5
Facial depth to height1.46

Ideal 1.3 to 1.44

9.9
Interior midface projection67.8 deg

Ideal 53 to 60

0.0

Nose

8.1 / 10

Nasal width to height0.81

Ideal 0.67 to 0.83

10.0
Nasal projection0.86

Ideal 0.59 to 0.67

0.0
Nasolabial angle102.9 deg

Ideal 97 to 114

10.0
Nasal tip angle140.6 deg

Ideal 128.5 to 138.5

8.6
Nasomental angle131.6 deg

Ideal 126 to 131

9.9
Nasofacial angle31.4 deg

Ideal 31 to 35

10.0
Nose tip rotation21.5 deg

Ideal 11.5 to 21.5

9.9
Mid nose projection1.4 mm

Ideal -1.25 to 0.5

4.1
Frankfort tip angle36.3 deg

Ideal 32 to 38

10.0

Lips

10.0 / 10

Upper lip (Burstone)-3.3 mm

Ideal -5.2 to -1.8

10.0
Lower lip (Burstone)-2.6 mm

Ideal -3.2 to -0.8

10.0
Upper lip (S-line)1.6 mm

Ideal -0.4 to 1.4

9.8
Lower lip (S-line)1.2 mm

Ideal -0.4 to 1.4

10.0
Upper lip (E-line)5.5 mm

Ideal 1.2 to 5.8

10.0
Lower lip (E-line)4.1 mm

Ideal 1.1 to 4.4

10.0
Holdaway H line-0.0 mm

Ideal -0.2 to 1.2

10.0

Chin and jaw

7.8 / 10

Mentolabial angle139.3 deg

Ideal 111 to 127

1.1
Recession relative to Frankfort-2.1 mm

Ideal 1.5 to 15

7.6
Gonial angle123.5 deg

Ideal 115 to 121

8.3
Mandibular plane angle19.0 deg

Ideal 15 to 22

10.0
Ramus to mandible ratio0.68

Ideal 0.62 to 0.75

10.0
Gonion to mouth line14.5 mm

Ideal 15 to 45

9.9

Neck

0.0 / 10

Submental cervical angle128.2 deg

Ideal 94 to 106

0.0

Biggest strengths

These measurements sit in or right beside their ideal ranges and carry your score.

idealSide view

Ideal jaw length

10.0

This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.

Ramus to mandible ratio (side view)

idealFront view

Ideal Cupid's bow

10.0

This contributes to a defined upper lip due to a visible but moderate bow.

Cupid's bow depth (front view)

idealFront view

Ideal lower third

10.0

This contributes to a harmonious lower face due to the mouth, chin, and jaw holding their classical share of face height.

Lower third (front view)

idealSide view

Ideal facial convexity

10.0

This contributes to a balanced profile due to nose projection sitting in proportion with forehead and chin.

Total facial convexity (side view)

idealSide view

Ideal upper lip position (Burstone)

10.0

This contributes to balanced lips due to the upper lip sitting classically just ahead of Burstone's line.

Upper lip (Burstone) (side view)

idealSide view

Ideal jawline slope

10.0

This contributes to a defined profile due to the jawline running at a classical slope from corner to chin.

Mandibular plane angle (side view)

Areas to improve

5 features stand out - fixing what is fixable here moves your score the most.

severeFront view

Narrow midface

-0.61

The face is narrow for its midface height, which stretches the center of the face vertically.

Face width to height (front view)

severeFront view

Round eyes

-0.40

The eye opening is tall for its width, which reads rounder than the classical almond shape.

Eye aspect ratio (front view)

severeFront view

Negative canthal tilt

-0.33

The outer eye corners sit low, which can read as tired or downturned eyes.

Lateral canthal tilt (front view)

severeFront view

Long, narrow face shape

-0.33

The face is long for its width, which can read stretched.

Total facial width to height ratio (front view)

severeFront view

Narrow alar angle

-0.31

The angle from the nose base to the eye corners is tight, which reads as a long midface or close-set eyes.

Ipsilateral alar angle (front view)

Celebrity lookalikes

Both profiles

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Percentiles are modelled estimates centred on an average face at 5.0, not measured population data. Results depend on precise landmark placement, camera angle, and image quality.

Sylvester Stallone's strongest and weakest features

Sylvester Stallone scores 5.61 overall, and his profile outscores his front: 6.82 side against 4.86 front. His profile, lips, nose and jaw are his strongest features, and his costs come from a long midface and face, the eye shape and tilt, and the nose and jaw angles from the front.

From the front, his lower third is in band and his cheekbones sit high. His nose bridge is in proportion to his nostrils, his nose is sized correctly to the space between his eyes, and his nose tip sits level with his nostrils. His Cupid's bow has the ideal depth, his chin is in proportion to his philtrum, and his upper lip is the ideal length. His ears sit flat, his jaw is the right width, its angle toward the chin is ideal, and his neck is the right width. In profile, his lips sit correctly against his chin by Z angle and his facial convexity at the nose tip is in band. His nose length, nasolabial and nasofacial angles and the incline of the underside of his nose are ideal. His lips sit on the Burstone and E-line references for both lips, the S-line for the lower lip and the Holdaway line, and his jaw plane and jaw proportions are ideal.

His largest cost is that his midface reads long for the width of his cheekbones, at 1.60 where 1.96 to 2 is ideal, which is his weakest single metric at 1.46 out of 10. His full face is long for its width too, at 1.42 against 1.34 to 1.37. His eye openings read round, at an aspect ratio of 2.06 against 3 to 3.5, and his outer eye corners tilt less than ideal, at 1.0 degrees against 6 to 7.7. The angle from the base of his nose to his outer eye corners is narrow, at 79.9 degrees against 86.5 to 92.5, and his jaw angle differs from that angle by 11.4 degrees, where 2.5 or less is ideal.