Celebrity analysis
How attractive is sombr - Facial Harmony Analysis
Singer - Back to Friends, Undressed, 12 to 12
sombr stacks even thirds over high cheekbones, with tilted brows, a wide jaw base and a chin proportioned to the upper lip. Most of the rest pulls against it, with a face built long for its width, a convex profile, a tip rotated well up, a rounder eye shape, ears that carry out and a jaw that flares wider than the nose line.
- Gender:
- Male
- Ethnicity:
- American Jewish
- Eyes:
- Brown
- Harmony:
- 4.7 / 10
Analysis by RateMyFaceAI, using AI-placed, hand-verified landmarks on these photographs. Photo angle, expression, and placement affect the result. Read our methodology.
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Harmony report
sombr's facial harmony
Every pin on these photos verified by hand, then scored the same way your own analysis is. These scores describe shape and ratios only.
Overall harmony
4.7
out of 10
Bottom 46%
Front view
4.6
out of 10
Bottom 44%
Side view
4.9
out of 10
Bottom 49%
Worst looking out of 2 people
Front harmony
Front analysis
34 available measurements from this image.
Analysis reference
Hover or tap a score to see its measurement drawn on this image.
Facial thirds
9.1 / 10
Face shape
5.6 / 10
Eyes and brows
6.7 / 10
Nose
4.4 / 10
Mouth and lips
7.6 / 10
Ears
2.7 / 10
Jaw, neck and lower face
6.0 / 10
Side harmony
Side analysis
34 available measurements from this image.
Analysis reference
Hover or tap a score to see its measurement drawn on this image.
Forehead and brow
2.5 / 10
Profile convexity
4.4 / 10
Nose
6.1 / 10
Lips
10.0 / 10
Chin and jaw
8.3 / 10
Neck
0.0 / 10
Biggest strengths
These measurements sit in or right beside their ideal ranges and carry your score.
Ideal chin position
10.0This contributes to a strong profile due to the chin sitting classically on the nasion perpendicular.
Recession relative to Frankfort (side view)
Ideal lower lip position (E-line)
10.0This contributes to balanced lips due to the lower lip sitting classically just behind Ricketts' E-line.
Lower lip (E-line) (side view)
Ideal upper lip position (E-line)
10.0This contributes to balanced lips due to the upper lip sitting classically just behind Ricketts' E-line.
Upper lip (E-line) (side view)
Ideal jaw corner height
10.0This contributes to a defined jawline due to the jaw corner sitting at a classical height against the mouth.
Gonion to mouth line (side view)
Ideal lower third
10.0This contributes to a harmonious lower face due to the mouth, chin, and jaw holding their classical share of face height.
Lower third (front view)
Ideal lower-third balance
10.0This contributes to a harmonious lower face due to the mouth sitting a classical third of the way from nose to chin.
Lower third proportion (front view)
Areas to improve
5 features stand out - fixing what is fixable here moves your score the most.
Narrow midface
-0.56The face is narrow for its midface height, which stretches the center of the face vertically.
Face width to height (front view)
Midface-jaw mismatch
-0.44The midface and jaw taper along visibly different lines, which reads as disharmony between the upper and lower face.
Deviation of IAA and JFA (front view)
Round eyes
-0.40The eye opening is tall for its width, which reads rounder than the classical almond shape.
Eye aspect ratio (front view)
Protruding ears
-0.38The ears angle out from the head beyond the typical range, which draws attention from the face.
Ear protrusion angle (front view)
Narrow intercanthal spacing
-0.32There is less than one eye-width of space between the eyes, which reads close-set.
One eye apart test (front view)
Celebrity lookalikes
Both profilesLoading the celebrity library...
Percentiles are modelled estimates centred on an average face at 5.0, not measured population data. Results depend on precise landmark placement, camera angle, and image quality.
sombr's strongest and weakest features
sombr scores 4.67 overall, 4.56 front and 4.87 side. His lower face proportions and his lips in profile are his strongest features, and his costs come from the midface, the jaw shape, the eyes and the ears.
From the front, his upper and lower thirds are in band and his cheekbones sit high. His eyes sit correctly across the face and his brows are tilted correctly. His chin is in proportion to his philtrum, and his bigonial width and the split of his lower third between lip and chin are ideal. In profile, his nose length and nose angles are ideal, his midface carries his nose base forward correctly, his lips sit on the Burstone, S-line and E-line references, his chin sits at the right depth, and his jaw corner angle and jaw corner height are ideal.
His largest cost is that his midface reads long for the width of his cheekbones, at 1.69 where 1.96 to 2 is ideal, which takes about 0.56 of a point. His jaw stays wide toward the chin: the two sides meet below the chin at 107.5 degrees against 86.5 to 92.5, and this angle differs from the angle from his nose base to his outer eye corners by 27 degrees, against 2.5 or less, which is his weakest single metric at 0.89 out of 10. His eye openings read round, at an aspect ratio of 2.08 against 3 to 3.5, and the gap between his eyes is short for their length, at 0.95 against 1.05 to 1.1. His ears are angled out at 16.9 degrees against 10 to 11.5.