Celebrity analysis
How attractive is Matthew Noszka - Facial Harmony Analysis
Model and actor - Nike, Calvin Klein, No Hard Feelings
Matthew Noszka carries the whole read in the upper face, with broad temples, high cheekbones and wide-set eyes sitting on real bone support. It thins out below the nose, with a short forehead over a long lower third, a tip that turns up and a lower lip and chin that fall away behind the profile line.
- Gender:
- Male
- Ethnicity:
- Polish-Irish-German American
- Eyes:
- Green
- Harmony:
- 7.0 / 10
Analysis by RateMyFaceAI, using AI-placed, hand-verified landmarks on these photographs. Photo angle, expression, and placement affect the result. Read our methodology.
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Harmony report
Matthew Noszka's facial harmony
Every pin on these photos verified by hand, then scored the same way your own analysis is. These scores describe shape and ratios only.
Overall harmony
7.0
out of 10
Top 6.4%
Front view
6.9
out of 10
Top 6.9%
Side view
7.0
out of 10
Top 5.6%
Best looking out of 20 people
Front harmony
Front analysis
34 available measurements from this image.
Analysis reference
Hover or tap a score to see its measurement drawn on this image.
Facial thirds
3.3 / 10
Face shape
8.0 / 10
Eyes and brows
5.9 / 10
Nose
6.5 / 10
Mouth and lips
7.5 / 10
Ears
10.0 / 10
Jaw, neck and lower face
7.5 / 10
Side harmony
Side analysis
34 available measurements from this image.
Analysis reference
Hover or tap a score to see its measurement drawn on this image.
Forehead and brow
9.1 / 10
Profile convexity
8.4 / 10
Nose
7.5 / 10
Lips
4.4 / 10
Chin and jaw
8.4 / 10
Neck
1.4 / 10
Biggest strengths
These measurements sit in or right beside their ideal ranges and carry your score.
Ideal middle third
10.0This contributes to balanced facial thirds due to the midface holding its classical share between brow and nose.
Middle third (front view)
Ideal neck width
10.0This contributes to a proportionate frame due to the neck sizing well against the jaw.
Neck width (front view)
Ideal midface ratio
10.0This contributes to a harmonious midface due to eye spacing and midface length sitting in proportion.
Midface ratio (front view)
Ideal alar angle
10.0This contributes to midface harmony due to the nose base sitting in classical relation to the eye corners.
Ipsilateral alar angle (front view)
Ideal nasolabial angle
10.0This contributes to a refined nose-lip transition due to the angle under the nose sitting in its classical range.
Nasolabial angle (side view)
Ideal upper lip position (S-line)
10.0This contributes to balanced lips due to the upper lip sitting on Steiner's S-line.
Upper lip (S-line) (side view)
Areas to improve
5 features stand out - fixing what is fixable here moves your score the most.
Narrow midface
-0.38The face is narrow for its midface height, which stretches the center of the face vertically.
Face width to height (front view)
Retruded chin or protrusive lips
-0.24The chin sits behind the lips' line, which reads as a weak chin or forward lips.
Z angle (side view)
Short forehead
-0.22The forehead takes up less of the face than ideal, which can make the lower features read heavy.
Top third (front view)
Long lower face
-0.22The lower face takes up more than its classical share, which can make the chin and jaw dominate the face.
Lower third (front view)
Overfull lips
-0.21The lips are deep for the width of the mouth, which can read as overfilled.
Lip fullness (front view)
Celebrity lookalikes
Both profilesLoading the celebrity library...
Percentiles are modelled estimates centred on an average face at 5.0, not measured population data. Results depend on precise landmark placement, camera angle, and image quality.
Matthew Noszka's strongest and weakest features
Matthew Noszka scores 6.95 overall, 6.92 front and 7.01 side. His midface, eyes, jaw slope and profile are his strongest features, and his costs come from a long midface, lips ahead of the chin, a short upper third and a long lower third.
From the front, his middle third, temples and midface ratio are in band, his full face is ideally proportioned for its width, and his cheekbones sit high. His pupils sit the right distance apart for his face width. The angle from the base of his nose to his outer eye corners is ideal and his nose is sized correctly to the space between his eyes. His upper and lower lips are in proportion, his ears sit flat, his jaw slope is ideal and his neck is the right width. In profile, his forehead leans back from the brow correctly, his upper forehead is in band, and his facial convexity is in band at the nose tip and through the brow. His cheek sits correctly forward of his eye, the angle at his ear notch between his nostril crease and lower eyelid is ideal, and his midface carries his nose base forward correctly. His nose length, nasolabial and nasofacial angles and the incline of the underside of his nose are ideal, his upper lip sits on the Burstone, S-line and E-line references, and his jaw plane is ideal.
His largest cost is that his midface reads long for the width of his cheekbones, at 1.78 where 1.96 to 2 is ideal, which takes about 0.38 of a point. In profile, his lips sit ahead of his chin, at a Z angle of 67.5 degrees against 78 to 82. His upper third is short, at 27.4% of face height against 30 to 32%, and his lower third is long, at 40.3% against 33.9 to 37%. His lips are fuller than ideal, at 0.45 against 0.297 to 0.363, and the bottom of his nose sits above the line between his nostrils, at -1.0 against 0 to 3.