Celebrity analysis

How attractive is Marlon Brando - Facial Harmony Analysis

Actor - The Godfather, On the Waterfront, A Streetcar Named Desire

Marlon Brando has full, well-balanced lips, a well-proportioned nose from the front, high cheekbones, a wide jaw and a chin that sits well forward. His brows sit flat over eyes with little upward tilt, his upper forehead is rounded, his nose tip turns up over a bump on the bridge, his mouth corners turn down and his jaw blends softly into the neck.

Gender:
Male
Ethnicity:
German, Dutch, English and Irish
Eyes:
Blue
Harmony:
7.1 / 10
Marlon Brando front portrait
Marlon Brando side portrait

Analysis by RateMyFaceAI, using AI-placed, hand-verified landmarks on these photographs. Photo angle, expression, and placement affect the result. Read our methodology.

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Harmony report

Marlon Brando's facial harmony

Every pin on these photos verified by hand, then scored the same way your own analysis is. These scores describe shape and ratios only.

Front view

8.1

out of 10

Top 0.1%

Side view

5.6

out of 10

Top 40%

Best looking out of 20 people

Front harmony

Front analysis

34 available measurements from this image.

8.1/ 10 harmony
Marlon Brando front reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Facial thirds

9.3 / 10

Top third33.48%

Ideal 30 to 32

7.8
Middle third31.43%

Ideal 31.4 to 33.4

10.0
Lower third35.09%

Ideal 33.9 to 37

10.0

Face shape

6.0 / 10

Face width to height1.84

Ideal 1.96 to 2

0.0
Bitemporal width91.31%

Ideal 86.5 to 92.5

10.0
Midface ratio1.01

Ideal 0.97 to 1

9.9
0.0
Cheekbone height85.62%

Ideal 83 to 100

10.0

Eyes and brows

6.5 / 10

Lateral canthal tilt2.2 deg

Ideal 6 to 7.7

0.0
Eyebrow low setedness0.77

Ideal 0 to 0.45

7.6
Eye aspect ratio2.94

Ideal 3 to 3.5

9.7
Eye separation ratio47.10%

Ideal 45.7 to 46.8

9.9
One eye apart test1.15

Ideal 1.05 to 1.1

9.2
Eyebrow tilt0.2 deg

Ideal 6.5 to 11

0.0
Brow length to face width0.66

Ideal 0.69 to 0.76

9.2

Nose

10.0 / 10

Ipsilateral alar angle87.3 deg

Ideal 86.5 to 92.5

10.0
Deviation of IAA and JFA1.3 deg

Ideal 0 to 2.5

10.0
Nose bridge to nose width2.06

Ideal 2.06 to 2.14

10.0
Intercanthal to nasal width1.14

Ideal 1.04 to 1.16

10.0
Nose tip position1.1 mm

Ideal 0 to 3

10.0

Mouth and lips

7.0 / 10

Cupid's bow depth1.6 mm

Ideal 2.3 to 4

3.8
Chin to philtrum ratio2.47

Ideal 2.15 to 2.45

9.9
Lower to upper lip ratio1.56

Ideal 1.55 to 1.85

10.0
Lip fullness0.39

Ideal 0.297 to 0.363

8.3
Interpupillary to mouth width0.76

Ideal 0.83 to 0.87

6.5
Mouth to nose width1.32

Ideal 1.42 to 1.5

3.9
Mouth corner position-0.9 mm

Ideal 0 to 4

6.3

Ears

10.0 / 10

Ear protrusion ratio9.88%

Ideal 8 to 12

10.0
Ear protrusion angle11.6 deg

Ideal 10 to 11.5

9.9

Jaw, neck and lower face

9.9 / 10

Jaw slope143.9 deg

Ideal 140 to 142.5

9.4
Bigonial width88.77%

Ideal 87.5 to 91.5

10.0
Lower third proportion31.73%

Ideal 31 to 33.5

10.0
Jaw frontal angle86.0 deg

Ideal 86.5 to 92.5

9.9
Neck width96.47%

Ideal 92 to 98

10.0

Side harmony

Side analysis

34 available measurements from this image.

5.6/ 10 harmony
Marlon Brando side reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Forehead and brow

5.8 / 10

Browridge inclination26.5 deg

Ideal 15 to 22

7.9
Nasofrontal angle129.6 deg

Ideal 116 to 128

9.7
Upper forehead slope13.5 deg

Ideal 0 to 2

0.0

Profile convexity

7.2 / 10

Z angle83.6 deg

Ideal 78 to 82

9.3
Total facial convexity153.4 deg

Ideal 140 to 147

6.0
Orbital vector1.4 mm

Ideal 1 to 10

10.0
Facial convexity (glabella)168.2 deg

Ideal 170 to 175

8.2
Anterior facial depth57.0 deg

Ideal 64.5 to 67.5

0.0
Facial convexity (nasion)165.6 deg

Ideal 163 to 166

10.0
Facial depth to height1.57

Ideal 1.3 to 1.44

5.2
Interior midface projection49.6 deg

Ideal 53 to 60

8.8

Nose

4.9 / 10

Nasal width to height0.64

Ideal 0.67 to 0.83

9.9
Nasal projection0.68

Ideal 0.59 to 0.67

9.9
Nasolabial angle112.9 deg

Ideal 97 to 114

10.0
Nasal tip angle140.4 deg

Ideal 128.5 to 138.5

8.9
Nasomental angle138.5 deg

Ideal 126 to 131

3.3
Nasofacial angle27.1 deg

Ideal 31 to 35

2.5
Nose tip rotation37.2 deg

Ideal 11.5 to 21.5

0.0
Mid nose projection2.1 mm

Ideal -1.25 to 0.5

0.0
Frankfort tip angle50.9 deg

Ideal 32 to 38

0.0

Lips

10.0 / 10

Upper lip (Burstone)-2.7 mm

Ideal -5.2 to -1.8

10.0
Lower lip (Burstone)-0.6 mm

Ideal -3.2 to -0.8

9.9
Upper lip (S-line)0.3 mm

Ideal -0.4 to 1.4

10.0
Lower lip (S-line)1.3 mm

Ideal -0.4 to 1.4

10.0
Upper lip (E-line)2.7 mm

Ideal 1.2 to 5.8

10.0
Lower lip (E-line)2.9 mm

Ideal 1.1 to 4.4

10.0
Holdaway H line1.1 mm

Ideal -0.2 to 1.2

10.0

Chin and jaw

8.3 / 10

Mentolabial angle137.1 deg

Ideal 111 to 127

3.6
Recession relative to Frankfort7.9 mm

Ideal 1.5 to 15

10.0
Gonial angle124.7 deg

Ideal 115 to 121

6.2
Mandibular plane angle17.5 deg

Ideal 15 to 22

10.0
Ramus to mandible ratio0.65

Ideal 0.62 to 0.75

10.0
Gonion to mouth line17.9 mm

Ideal 15 to 45

10.0

Neck

0.0 / 10

Submental cervical angle132.5 deg

Ideal 94 to 106

0.0

Biggest strengths

These measurements sit in or right beside their ideal ranges and carry your score.

idealFront view

Matched midface and jaw lines

10.0

This contributes to overall harmony due to the midface and jaw tapering along nearly the same lines.

Deviation of IAA and JFA (front view)

idealSide view

Ideal chin position

10.0

This contributes to a strong profile due to the chin sitting classically on the nasion perpendicular.

Recession relative to Frankfort (side view)

idealFront view

Ideal ear set

10.0

This contributes to a clean facial outline due to the ears sitting close to the head.

Ear protrusion ratio (front view)

idealSide view

Ideal lower lip position (E-line)

10.0

This contributes to balanced lips due to the lower lip sitting classically just behind Ricketts' E-line.

Lower lip (E-line) (side view)

idealSide view

Ideal upper lip position (S-line)

10.0

This contributes to balanced lips due to the upper lip sitting on Steiner's S-line.

Upper lip (S-line) (side view)

idealFront view

Ideal lower third

10.0

This contributes to a harmonious lower face due to the mouth, chin, and jaw holding their classical share of face height.

Lower third (front view)

Areas to improve

5 features stand out - fixing what is fixable here moves your score the most.

severeSide view

Over-rotated nose tip

-0.28

The nostril axis points high, which can expose the nostrils.

Nose tip rotation (side view)

severeSide view

Rounded forehead

-0.27

The forehead bends strongly between brow and hairline, which can read bossed or angled.

Upper forehead slope (side view)

severeSide view

Soft chin-neck definition

-0.26

The angle under the chin is open, which reads as a soft or receding under-chin area.

Submental cervical angle (side view)

severeFront view

Flat eyebrow tilt

-0.24

The brows rise little toward their peaks, which can read heavy or tired.

Eyebrow tilt (front view)

severeFront view

Narrow midface

-0.23

The face is narrow for its midface height, which stretches the center of the face vertically.

Face width to height (front view)

Celebrity lookalikes

Both profiles

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Percentiles are modelled estimates centred on an average face at 5.0, not measured population data. Results depend on precise landmark placement, camera angle, and image quality.

Marlon Brando's strongest and weakest features

Marlon Brando scores 7.13 overall, and his front far outscores his profile: 8.06 front against 5.60 side. His facial thirds, nose from the front, lips and jaw are his strongest features, and his costs come mostly from his profile: an upturned nose tip, a rounded upper forehead, a soft jaw-to-neck line and a midface that sits back, plus flat brows and little eye tilt from the front.

From the front, his middle and lower thirds are in band, his midface ratio is ideal, his temples are the right width, and his cheekbones sit high. The angle from the base of his nose to his outer eye corners is ideal, his nose bridge is in proportion to his nostrils, his nose is the right width for the space between his eyes, and his nose tip sits level with his nostrils. His upper and lower lips are in proportion, his upper lip is the ideal length, and his chin is in proportion to his philtrum. His ears sit flat. His jaw angle matches the angle from nose base to outer eye corners, his jaw width and jaw angle are ideal, and his neck is the right width. In profile, his orbital vector and his facial convexity through the nose bridge are in band, and his nose projection and nasolabial angle are ideal. Both lips sit on all three lip references, and his lips meet the Holdaway line. His chin sits correctly forward, and his jaw plane and rear jaw length are ideal.

His largest cost is that his nose tip is rotated upward at 37.2 degrees against 11.5 to 21.5, which is his weakest single metric at 1.67 out of 10 and takes about 0.28 of a point, and the underside of his nose rises at 50.9 degrees against 32 to 38. His upper forehead is more rounded than ideal, at 13.5 degrees against 0 to 2, and his jaw meets his neck at a wide 132.5 degrees where 94 to 106 is ideal. His midface sits back, at an anterior facial depth of 57.0 degrees against 64.5 to 67.5, and his nose bridge bulges forward, at 2.1mm against -1.25 to 0.5mm. From the front, his brows sit flat, tilting at 0.2 degrees against 6.5 to 11, and his outer eye corners tilt up only 2.2 degrees where 6 to 7.7 is ideal. His midface reads long for the width of his cheekbones, at 1.84 against 1.96 to 2, and his full face reads long for its width, at 1.41 against 1.34 to 1.37.