Celebrity analysis

How attractive is Margaret Qualley - Facial Harmony Analysis

Actor - The Substance, Maid, Once Upon a Time in Hollywood, Poor Things

Margaret Qualley's strong half runs from the cheekbones up and around the mouth: high wide cheekbones under a broad forehead, low-set brows, and full lips with a crisp cupid's bow above a flat, horizontal jawline that keeps a clean line into the neck. The lower face is where it gives way, with a long chin that still sits back behind the profile line, a mouth carried high toward the nose, and round eye openings rather than a long almond shape.

Gender:
Female
Ethnicity:
Norwegian, Scottish, English and Irish
Eyes:
Blue
Harmony:
7.5 / 10
Margaret Qualley front portrait
Margaret Qualley side portrait

Analysis by RateMyFaceAI, using AI-placed, hand-verified landmarks on these photographs. Photo angle, expression, and placement affect the result. Read our methodology.

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Harmony report

Margaret Qualley's facial harmony

Every pin on these photos verified by hand, then scored the same way your own analysis is. These scores describe shape and ratios only.

Front view

7.2

out of 10

Top 3.4%

Side view

8.0

out of 10

Top 0.2%

Best looking out of 70 people

Front harmony

Front analysis

34 available measurements from this image.

7.2/ 10 harmony
Margaret Qualley front reference used for facial harmony analysis

Analysis reference

Hover a score to see its measurement drawn on this image.

Facial thirds

7.6 / 10

Top third31.51%

Ideal 30.4 to 33.6

10.0
Middle third33.77%

Ideal 32.2 to 34.8

10.0
Lower third34.71%

Ideal 29.5 to 33.2

2.8

Face shape

7.5 / 10

Face width to height1.83

Ideal 1.94 to 1.98

0.0
Bitemporal width86.58%

Ideal 80.1 to 85.7

9.7
Midface ratio1.02

Ideal 1.03 to 1.06

9.9
7.6
Cheekbone height91.60%

Ideal 83 to 100

10.0

Eyes and brows

5.9 / 10

Lateral canthal tilt6.0 deg

Ideal 7.07 to 8.36

8.9
Eyebrow low setedness0.95

Ideal 0.48 to 0.94

9.9
Eye aspect ratio2.31

Ideal 2.77 to 3.36

0.0
Eye separation ratio44.99%

Ideal 46.5 to 47.5

5.5
One eye apart test1.22

Ideal 1.05 to 1.1

4.5
Eyebrow tilt7.2 deg

Ideal 10.2 to 15.5

2.5
Brow length to face width0.65

Ideal 0.64 to 0.73

10.0

Nose

6.8 / 10

Ipsilateral alar angle84.0 deg

Ideal 86.5 to 92.5

5.7
Deviation of IAA and JFA9.4 deg

Ideal 0.1 to 1.73

0.0
Nose bridge to nose width2.05

Ideal 2.14 to 2.22

8.2
Intercanthal to nasal width1.01

Ideal 0.93 to 1.05

10.0
Nose tip position3.0 mm

Ideal 0 to 3

10.0

Mouth and lips

7.1 / 10

Cupid's bow depth1.8 mm

Ideal 2.3 to 4

6.9
Chin to philtrum ratio2.93

Ideal 2.15 to 2.45

0.0
Lower to upper lip ratio1.82

Ideal 1.55 to 1.85

10.0
Lip fullness0.41

Ideal 0.342 to 0.418

10.0
Interpupillary to mouth width0.86

Ideal 0.74 to 0.78

3.4
Mouth to nose width1.62

Ideal 1.52 to 1.6

9.2
Mouth corner position2.8 mm

Ideal 0 to 4

10.0

Ears

9.8 / 10

Ear protrusion ratio9.97%

Ideal 8 to 12

10.0
Ear protrusion angle12.3 deg

Ideal 10 to 11.5

9.6

Jaw, neck and lower face

8.0 / 10

Jaw slope142.2 deg

Ideal 142.2 to 144.3

10.0
Bigonial width84.89%

Ideal 83.7 to 88.4

10.0
Lower third proportion28.81%

Ideal 31 to 33.5

0.0
Jaw frontal angle93.3 deg

Ideal 86.5 to 92.5

9.9
Neck width78.55%

Ideal 72.5 to 81.4

10.0

Side harmony

Side analysis

34 available measurements from this image.

8.0/ 10 harmony
Margaret Qualley side reference used for facial harmony analysis

Analysis reference

Hover a score to see its measurement drawn on this image.

Forehead and brow

9.1 / 10

Browridge inclination14.0 deg

Ideal 15 to 22

9.7
Nasofrontal angle136.2 deg

Ideal 139.8 to 150.6

7.7
Upper forehead slope8.2 deg

Ideal 6.8 to 8.97

10.0

Profile convexity

7.6 / 10

Z angle71.2 deg

Ideal 76.6 to 80

0.6
Total facial convexity140.6 deg

Ideal 140 to 147

10.0
Orbital vector-1.0 mm

Ideal 1 to 10

6.3
Facial convexity (glabella)165.0 deg

Ideal 167.6 to 174.1

5.2
Anterior facial depth64.0 deg

Ideal 64.5 to 67.5

9.9
Facial convexity (nasion)163.1 deg

Ideal 160.5 to 163.8

10.0
Facial depth to height1.34

Ideal 1.3 to 1.44

10.0
Interior midface projection62.5 deg

Ideal 53 to 60

8.8

Nose

9.0 / 10

Nasal width to height0.65

Ideal 0.67 to 0.83

8.1
Nasal projection0.69

Ideal 0.55 to 0.62

5.6
Nasolabial angle108.0 deg

Ideal 97 to 114

10.0
Nasal tip angle141.5 deg

Ideal 128.5 to 138.5

7.0
Nasomental angle126.7 deg

Ideal 126 to 131

10.0
Nasofacial angle35.3 deg

Ideal 31 to 35

9.9
Nose tip rotation29.3 deg

Ideal 19.8 to 29.9

10.0
Mid nose projection0.3 mm

Ideal -1.25 to 0.5

10.0
Frankfort tip angle43.4 deg

Ideal 39.8 to 47.3

10.0

Lips

7.5 / 10

Upper lip (Burstone)-5.1 mm

Ideal -5.2 to -1.8

10.0
Lower lip (Burstone)-4.8 mm

Ideal -3.2 to -0.8

5.0
Upper lip (S-line)-0.5 mm

Ideal -1.43 to 0.37

10.0
Lower lip (S-line)-1.9 mm

Ideal -1.28 to 0.52

8.5
Upper lip (E-line)2.9 mm

Ideal -0.63 to 3.97

10.0
Lower lip (E-line)0.1 mm

Ideal 1.1 to 4.4

9.1
Holdaway H line-1.6 mm

Ideal -0.2 to 1.2

0.0

Chin and jaw

5.7 / 10

Mentolabial angle144.0 deg

Ideal 118.1 to 134.2

1.8
Recession relative to Frankfort-8.5 mm

Ideal 1.5 to 15

0.0
Gonial angle115.9 deg

Ideal 117.7 to 124.9

8.9
Mandibular plane angle23.0 deg

Ideal 15 to 22

9.7
Ramus to mandible ratio0.54

Ideal 0.62 to 0.75

7.9
Gonion to mouth line10.1 mm

Ideal 13.7 to 29.8

6.1

Neck

9.9 / 10

Submental cervical angle107.1 deg

Ideal 94 to 106

9.9

Biggest strengths

These measurements sit in or right beside their ideal ranges and carry your score.

idealFront view

Ideal cheekbone height

10.0

This contributes to a well-supported midface due to the widest point of the cheekbones sitting high.

Cheekbone height (front view)

idealFront view

Ideal ear set

10.0

This contributes to a clean facial outline due to the ears sitting close to the head.

Ear protrusion ratio (front view)

idealSide view

Ideal upper lip position (S-line)

10.0

This contributes to balanced lips due to the upper lip sitting on Steiner's S-line.

Upper lip (S-line) (side view)

idealSide view

Ideal tip position

10.0

This contributes to a refined nose due to the tip sitting classically on the levelled head.

Frankfort tip angle (side view)

idealFront view

Ideal middle third

10.0

This contributes to balanced facial thirds due to the midface holding its classical share between brow and nose.

Middle third (front view)

idealSide view

Ideal forehead contour

10.0

This contributes to a pleasant profile due to the forehead curving gently between brow and hairline.

Upper forehead slope (side view)

Areas to improve

5 features stand out - fixing what is fixable here moves your score the most.

severeFront view

High-set mouth

-0.36

The mouth sits close under the nose, which lengthens the chin's share of the lower face.

Lower third proportion (front view)

severeFront view

Long chin or short philtrum

-0.26

The chin is tall for the philtrum above it, which can make the chin dominate the lower face.

Chin to philtrum ratio (front view)

severeFront view

Midface-jaw mismatch

-0.21

The midface and jaw taper along visibly different lines, which reads as disharmony between the upper and lower face.

Deviation of IAA and JFA (front view)

severeFront view

Round eyes

-0.20

The eye opening is tall for its width, which reads rounder than the classical almond shape.

Eye aspect ratio (front view)

severeSide view

Recessed chin

-0.19

The chin falls behind the nasion perpendicular, which reads as a weak chin in profile.

Recession relative to Frankfort (side view)

Celebrity lookalikes

Both profiles

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Percentiles are modelled estimates centred on an average face at 5.0, not measured population data. Results depend on precise landmark placement, camera angle, and image quality.