Celebrity analysis

How attractive is Madelyn Cline - Facial Harmony Analysis

Actor - Outer Banks, Glass Onion, I Know What You Did Last Summer

Madelyn Cline reads high and open, with high cheekbones, tilted brows over upturned outer eye corners, a small lifted nose and full lips sitting exactly on the profile line. The lower face is the softer half, with a short chin under a long upper lip, a mouth narrow against the nose and a face that runs long for its width.

Gender:
Female
Ethnicity:
German-Irish American
Eyes:
Brown
Harmony:
7.7 / 10
Madelyn Cline front portrait
Madelyn Cline side portrait

Analysis by RateMyFaceAI, using AI-placed, hand-verified landmarks on these photographs. Photo angle, expression, and placement affect the result. Read our methodology.

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Harmony report

Madelyn Cline's facial harmony

Every pin on these photos verified by hand, then scored the same way your own analysis is. These scores describe shape and ratios only.

Front view

7.6

out of 10

Top 1%

Side view

7.8

out of 10

Top 0.4%

Best looking out of 100 people

Front harmony

Front analysis

34 available measurements from this image.

7.6/ 10 harmony
Madelyn Cline front reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Facial thirds

8.0 / 10

Top third35.03%

Ideal 30.4 to 33.6

5.8
Middle third35.65%

Ideal 32.2 to 34.8

8.3
Lower third29.32%

Ideal 29.5 to 33.2

9.9

Face shape

7.8 / 10

Face width to height1.90

Ideal 1.94 to 1.98

8.7
Bitemporal width86.02%

Ideal 80.1 to 85.7

9.9
Midface ratio1.05

Ideal 1.03 to 1.06

10.0
0.4
Cheekbone height98.32%

Ideal 83 to 100

10.0

Eyes and brows

8.0 / 10

Lateral canthal tilt9.6 deg

Ideal 7.07 to 8.36

8.9
Eyebrow low setedness0.83

Ideal 0.48 to 0.94

10.0
Eye aspect ratio2.27

Ideal 2.77 to 3.36

0.0
Eye separation ratio47.08%

Ideal 46.5 to 47.5

10.0
One eye apart test1.18

Ideal 1.05 to 1.1

7.3
Eyebrow tilt15.8 deg

Ideal 10.2 to 15.5

9.9
Brow length to face width0.63

Ideal 0.64 to 0.73

9.9

Nose

7.9 / 10

Ipsilateral alar angle85.6 deg

Ideal 86.5 to 92.5

9.6
Deviation of IAA and JFA9.2 deg

Ideal 0.1 to 1.73

0.0
Nose bridge to nose width2.22

Ideal 2.14 to 2.22

10.0
Intercanthal to nasal width1.04

Ideal 0.93 to 1.05

10.0
Nose tip position2.4 mm

Ideal 0 to 3

10.0

Mouth and lips

6.2 / 10

Cupid's bow depth1.5 mm

Ideal 2.3 to 4

4.1
Chin to philtrum ratio1.78

Ideal 2.15 to 2.45

0.0
Lower to upper lip ratio1.92

Ideal 1.55 to 1.85

9.0
Lip fullness0.39

Ideal 0.342 to 0.418

10.0
Interpupillary to mouth width0.75

Ideal 0.74 to 0.78

10.0
Mouth to nose width1.40

Ideal 1.52 to 1.6

0.0
Mouth corner position0.1 mm

Ideal 0 to 4

10.0

Ears

2.4 / 10

Ear protrusion ratio6.32%

Ideal 8 to 12

3.2
Ear protrusion angle6.5 deg

Ideal 10 to 11.5

1.6

Jaw, neck and lower face

7.8 / 10

Jaw slope144.1 deg

Ideal 142.2 to 144.3

10.0
Bigonial width82.48%

Ideal 83.7 to 88.4

9.4
Lower third proportion35.34%

Ideal 31 to 33.5

0.1
Jaw frontal angle94.8 deg

Ideal 86.5 to 92.5

9.4
Neck width80.98%

Ideal 72.5 to 81.4

10.0

Side harmony

Side analysis

34 available measurements from this image.

7.8/ 10 harmony
Madelyn Cline side reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Forehead and brow

10.0 / 10

Browridge inclination21.9 deg

Ideal 15 to 22

10.0
Nasofrontal angle141.1 deg

Ideal 139.8 to 150.6

10.0
Upper forehead slope9.0 deg

Ideal 6.8 to 8.97

10.0

Profile convexity

5.7 / 10

Z angle73.4 deg

Ideal 76.6 to 80

6.2
Total facial convexity143.9 deg

Ideal 140 to 147

10.0
Orbital vector2.5 mm

Ideal 1 to 10

10.0
Facial convexity (glabella)165.2 deg

Ideal 167.6 to 174.1

5.9
Anterior facial depth59.1 deg

Ideal 64.5 to 67.5

3.8
Facial convexity (nasion)162.8 deg

Ideal 160.5 to 163.8

10.0
Facial depth to height1.65

Ideal 1.3 to 1.44

0.0
Interior midface projection44.4 deg

Ideal 53 to 60

0.0

Nose

8.8 / 10

Nasal width to height0.71

Ideal 0.67 to 0.83

10.0
Nasal projection0.76

Ideal 0.55 to 0.62

0.0
Nasolabial angle95.0 deg

Ideal 97 to 114

9.5
Nasal tip angle132.0 deg

Ideal 128.5 to 138.5

10.0
Nasomental angle127.7 deg

Ideal 126 to 131

10.0
Nasofacial angle32.9 deg

Ideal 31 to 35

10.0
Nose tip rotation29.6 deg

Ideal 19.8 to 29.9

10.0
Mid nose projection-1.0 mm

Ideal -1.25 to 0.5

10.0
Frankfort tip angle41.4 deg

Ideal 39.8 to 47.3

10.0

Lips

9.6 / 10

Upper lip (Burstone)-5.2 mm

Ideal -5.2 to -1.8

10.0
Lower lip (Burstone)-3.6 mm

Ideal -3.2 to -0.8

9.7
Upper lip (S-line)-1.3 mm

Ideal -1.43 to 0.37

10.0
Lower lip (S-line)-1.5 mm

Ideal -1.28 to 0.52

9.9
Upper lip (E-line)1.7 mm

Ideal -0.63 to 3.97

10.0
Lower lip (E-line)0.2 mm

Ideal 1.1 to 4.4

9.1
Holdaway H line-0.8 mm

Ideal -0.2 to 1.2

8.1

Chin and jaw

8.5 / 10

Mentolabial angle130.2 deg

Ideal 118.1 to 134.2

10.0
Recession relative to Frankfort0.4 mm

Ideal 1.5 to 15

9.7
Gonial angle117.7 deg

Ideal 117.7 to 124.9

9.9
Mandibular plane angle13.5 deg

Ideal 15 to 22

6.5
Ramus to mandible ratio0.51

Ideal 0.62 to 0.75

6.2
Gonion to mouth line11.5 mm

Ideal 13.7 to 29.8

8.6

Neck

5.3 / 10

Submental cervical angle112.4 deg

Ideal 94 to 106

5.3

Biggest strengths

These measurements sit in or right beside their ideal ranges and carry your score.

idealSide view

Ideal upper lip position (E-line)

10.0

This contributes to balanced lips due to the upper lip sitting classically just behind Ricketts' E-line.

Upper lip (E-line) (side view)

idealSide view

Ideal nasofacial angle

10.0

This contributes to a balanced profile due to the nose lifting off the facial plane at a classical angle.

Nasofacial angle (side view)

idealSide view

Ideal facial convexity

10.0

This contributes to a balanced profile due to nose projection sitting in proportion with forehead and chin.

Total facial convexity (side view)

idealFront view

Ideal lip fullness

10.0

This contributes to attractive lips due to the lip height sitting in proportion with the width of the mouth.

Lip fullness (front view)

idealFront view

Ideal eye spacing

10.0

This contributes to a balanced midface due to the eyes sitting neither too close together nor too far apart.

Eye separation ratio (front view)

idealFront view

Ideal midface ratio

10.0

This contributes to a harmonious midface due to eye spacing and midface length sitting in proportion.

Midface ratio (front view)

Areas to improve

5 features stand out - fixing what is fixable here moves your score the most.

severeSide view

Deep face for its height

-0.25

The face carries far back for its height, which can read heavy in profile.

Facial depth to height (side view)

severeFront view

Narrow mouth for the nose

-0.22

The mouth is barely wider than the nose base, which can make the nose read wide.

Mouth to nose width (front view)

severeFront view

Round eyes

-0.22

The eye opening is tall for its width, which reads rounder than the classical almond shape.

Eye aspect ratio (front view)

severeFront view

Midface-jaw mismatch

-0.20

The midface and jaw taper along visibly different lines, which reads as disharmony between the upper and lower face.

Deviation of IAA and JFA (front view)

severeSide view

Overprojected midface

-0.19

The midface carries far forward under the eyes, beyond the reference range.

Interior midface projection (side view)

Celebrity lookalikes

Both profiles

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Percentiles are modelled estimates centred on an average face at 5.0, not measured population data. Results depend on precise landmark placement, camera angle, and image quality.

Madelyn Cline's strongest and weakest features

Madelyn Cline scores 7.65 overall, with an even front and side (7.56 and 7.80). Her nose, lips and profile are her strongest features, and her costs are moderate, led by facial depth in profile.

From the front, her midface ratio is in band and her cheekbones sit high. Her brows are set low and her eyes sit correctly across the face. Her nose bridge is in proportion to her nostrils, her nose is sized correctly to the space between her eyes, and its tip sits level with her nostrils. Her lips are full, her mouth is the right width for her pupil distance, and her mouth corners sit well. Her jaw slope and neck width are ideal. In profile, her brow ridge, the step from her brow to her nose, forehead slope, orbital vector and facial convexity are in band, her nose length, nose angles, tip rotation, bridge line and the incline of the underside of her nose are ideal, her upper lip sits on the Burstone, S-line and E-line references, and her mentolabial angle is ideal.

Her largest cost is in profile: her face is deep for its height, at 1.65 where 1.3 to 1.44 is ideal, which is her weakest single metric at 1.44 out of 10, and the line from her outer eye corner to her nostril crease is shallow, at 44.4 degrees against 53 to 60. From the front, her mouth is slightly narrow for her nose, at 1.40 nose widths against 1.52 to 1.6, and her eye openings read round, at an aspect ratio of 2.27 against 2.77 to 3.36. Her jaw angle differs from the angle from her nose base to her outer eye corners by 9.2 degrees, against 1.73 or less, and her chin is short, at 1.78 times her philtrum against 2.15 to 2.45.