Celebrity analysis
How attractive is Lucky Blue Smith - Facial Harmony Analysis
Model and musician - Tom Ford, Calvin Klein, The Atomics
Lucky Blue Smith's mouth does the work, with lips set right on the profile line top and bottom and a jaw that runs deep from the corner. The rest runs long and flat, with a narrow jaw on a long face, no bone support under the eye, a bump in the bridge and a chin that sits well back.
- Gender:
- Male
- Ethnicity:
- Caucasian
- Eyes:
- Blue
- Harmony:
- 7.0 / 10
Analysis by RateMyFaceAI, using AI-placed, hand-verified landmarks on these photographs. Photo angle, expression, and placement affect the result. Read our methodology.
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Harmony report
Lucky Blue Smith's facial harmony
Every pin on these photos verified by hand, then scored the same way your own analysis is. These scores describe shape and ratios only.
Overall harmony
7.0
out of 10
Top 5.6%
Front view
7.6
out of 10
Top 0.9%
Side view
6.0
out of 10
Top 29%
Best looking out of 20 people
Front harmony
Front analysis
34 available measurements from this image.
Analysis reference
Hover or tap a score to see its measurement drawn on this image.
Facial thirds
7.0 / 10
Face shape
7.0 / 10
Eyes and brows
8.3 / 10
Nose
7.1 / 10
Mouth and lips
6.7 / 10
Ears
9.8 / 10
Jaw, neck and lower face
6.9 / 10
Side harmony
Side analysis
34 available measurements from this image.
Analysis reference
Hover or tap a score to see its measurement drawn on this image.
Forehead and brow
7.4 / 10
Profile convexity
6.1 / 10
Nose
7.8 / 10
Lips
10.0 / 10
Chin and jaw
5.0 / 10
Neck
9.2 / 10
Biggest strengths
These measurements sit in or right beside their ideal ranges and carry your score.
Ideal lower lip position (E-line)
10.0This contributes to balanced lips due to the lower lip sitting classically just behind Ricketts' E-line.
Lower lip (E-line) (side view)
Ideal lower lip position (S-line)
10.0This contributes to balanced lips due to the lower lip sitting on Steiner's S-line.
Lower lip (S-line) (side view)
Ideal lip-chin plane
10.0This contributes to a harmonious lower profile due to the lips and chin falling in one plane on Holdaway's H-line.
Holdaway H line (side view)
Ideal neck width
10.0This contributes to a proportionate frame due to the neck sizing well against the jaw.
Neck width (front view)
Ideal upper lip position (E-line)
10.0This contributes to balanced lips due to the upper lip sitting classically just behind Ricketts' E-line.
Upper lip (E-line) (side view)
Ideal upper lip position (S-line)
10.0This contributes to balanced lips due to the upper lip sitting on Steiner's S-line.
Upper lip (S-line) (side view)
Areas to improve
5 features stand out - fixing what is fixable here moves your score the most.
Short, wide face shape
-0.27The face is short for its width, which can read compact and heavy.
Total facial width to height ratio (front view)
Recessed midface
-0.26The midface falls away steeply under the eyes, which reads under-projected.
Interior midface projection (side view)
Sunken under-eye area
-0.25The socket rim sits behind the eye, which can read as hollow or tired under-eyes.
Orbital vector (side view)
Recessed chin
-0.24The chin falls behind the nasion perpendicular, which reads as a weak chin in profile.
Recession relative to Frankfort (side view)
Dorsal hump
-0.24The mid-bridge rises above the root-to-tip line, which reads as a hump.
Mid nose projection (side view)
Celebrity lookalikes
Both profilesLoading the celebrity library...
Percentiles are modelled estimates centred on an average face at 5.0, not measured population data. Results depend on precise landmark placement, camera angle, and image quality.
Lucky Blue Smith's strongest and weakest features
Lucky Blue Smith scores 7.00 overall, and his front outscores his profile: 7.62 front against 6.01 side. His lips and lower face are his strongest features, and his costs come from the face shape and the midface and chin in profile.
From the front, his lower third is in band and his cheekbones sit high. His brows are the right length for the face, and his nose bridge is proportioned to his nostrils. His lips are full, and the split of his lower third between lip and chin and his neck width are ideal. In profile, his facial convexity is in band, his nose length and nose angle to the lip are ideal, his lips sit on every reference line we measure (Burstone, S-line, E-line and Holdaway), and the rear of his jaw is the right length.
His largest cost is a face that is short for its width, at 1.24 where 1.34 to 1.37 is ideal, which takes about 0.27 of a point. In profile, his midface sits back: the line from his outer eye corner to his nose base drops steeply, at 72.5 degrees against 53 to 60, and his cheek sits 7.1mm behind the front of his eye, where 1 to 10mm ahead is ideal. His chin sits back, at -14.5 against 1.5 to 15, and his lips sit ahead of it, giving a Z angle of 69.7 degrees against 78 to 82. His nose bridge carries a bump of 3mm ahead of the straight line from root to tip, against -1.25 to 0.5mm.