Celebrity analysis

How attractive is Louis Tomlinson - Facial Harmony Analysis

Singer - One Direction, Walls, Faith in the Future

Louis Tomlinson reads best in profile: a straight, uncurved side line from brow to chin, a nose that sits at a clean angle to the face and lip, and a jaw line that stays defined all the way back. Front-on the face is long and narrow rather than wide, with close-set eyes, thin flat lips and a short chin under a long philtrum.

Gender:
Male
Ethnicity:
English
Eyes:
Blue
Harmony:
5.4 / 10
Louis Tomlinson front portrait
Louis Tomlinson side portrait

Analysis by RateMyFaceAI, using AI-placed, hand-verified landmarks on these photographs. Photo angle, expression, and placement affect the result. Read our methodology.

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Harmony report

Louis Tomlinson's facial harmony

Every pin on these photos verified by hand, then scored the same way your own analysis is. These scores describe shape and ratios only.

Front view

4.6

out of 10

Bottom 45%

Side view

6.5

out of 10

Top 14%

Best looking out of 2 people

Front harmony

Front analysis

34 available measurements from this image.

4.6/ 10 harmony
Louis Tomlinson front reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Facial thirds

9.9 / 10

Top third30.26%

Ideal 30 to 32

10.0
Middle third32.20%

Ideal 31.4 to 33.4

10.0
Lower third37.53%

Ideal 33.9 to 37

9.7

Face shape

7.9 / 10

Face width to height1.70

Ideal 1.96 to 2

0.0
Bitemporal width94.64%

Ideal 86.5 to 92.5

9.3
Midface ratio0.98

Ideal 0.97 to 1

10.0
10.0
Cheekbone height87.43%

Ideal 83 to 100

10.0

Eyes and brows

5.0 / 10

Lateral canthal tilt4.1 deg

Ideal 6 to 7.7

4.9
Eyebrow low setedness0.72

Ideal 0 to 0.45

8.4
Eye aspect ratio2.73

Ideal 3 to 3.5

3.7
Eye separation ratio50.33%

Ideal 45.7 to 46.8

0.0
One eye apart test1.37

Ideal 1.05 to 1.1

0.0
Eyebrow tilt12.6 deg

Ideal 6.5 to 11

8.1
Brow length to face width0.67

Ideal 0.69 to 0.76

9.8

Nose

6.9 / 10

Ipsilateral alar angle90.1 deg

Ideal 86.5 to 92.5

10.0
Deviation of IAA and JFA11.6 deg

Ideal 0 to 2.5

0.0
Nose bridge to nose width2.10

Ideal 2.06 to 2.14

10.0
Intercanthal to nasal width0.96

Ideal 1.04 to 1.16

4.4
Nose tip position0.3 mm

Ideal 0 to 3

10.0

Mouth and lips

4.4 / 10

Cupid's bow depth1.6 mm

Ideal 2.3 to 4

4.8
Chin to philtrum ratio1.69

Ideal 2.15 to 2.45

0.0
Lower to upper lip ratio2.62

Ideal 1.55 to 1.85

0.0
Lip fullness0.23

Ideal 0.297 to 0.363

0.0
Interpupillary to mouth width0.76

Ideal 0.83 to 0.87

6.1
Mouth to nose width1.42

Ideal 1.42 to 1.5

10.0
Mouth corner position0.3 mm

Ideal 0 to 4

10.0

Ears

8.8 / 10

Ear protrusion ratio10.86%

Ideal 8 to 12

10.0
Ear protrusion angle12.6 deg

Ideal 10 to 11.5

7.6

Jaw, neck and lower face

3.8 / 10

Jaw slope149.8 deg

Ideal 140 to 142.5

0.0
Bigonial width87.45%

Ideal 87.5 to 91.5

9.9
Lower third proportion35.52%

Ideal 31 to 33.5

0.0
Jaw frontal angle78.4 deg

Ideal 86.5 to 92.5

0.0
Neck width89.26%

Ideal 92 to 98

9.0

Side harmony

Side analysis

34 available measurements from this image.

6.5/ 10 harmony
Louis Tomlinson side reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Forehead and brow

4.5 / 10

Browridge inclination26.0 deg

Ideal 15 to 22

8.3
Nasofrontal angle133.4 deg

Ideal 116 to 128

5.2
Upper forehead slope7.5 deg

Ideal 0 to 2

0.0

Profile convexity

7.9 / 10

Z angle82.1 deg

Ideal 78 to 82

9.9
Total facial convexity146.8 deg

Ideal 140 to 147

10.0
Orbital vector0.7 mm

Ideal 1 to 10

9.9
Facial convexity (glabella)174.7 deg

Ideal 170 to 175

10.0
Anterior facial depth64.0 deg

Ideal 64.5 to 67.5

9.9
Facial convexity (nasion)173.5 deg

Ideal 163 to 166

0.0
Facial depth to height1.60

Ideal 1.3 to 1.44

3.4
Interior midface projection54.6 deg

Ideal 53 to 60

10.0

Nose

8.9 / 10

Nasal width to height0.84

Ideal 0.67 to 0.83

9.9
Nasal projection0.88

Ideal 0.59 to 0.67

0.0
Nasolabial angle106.1 deg

Ideal 97 to 114

10.0
Nasal tip angle127.7 deg

Ideal 128.5 to 138.5

9.9
Nasomental angle131.4 deg

Ideal 126 to 131

9.9
Nasofacial angle31.7 deg

Ideal 31 to 35

10.0
Nose tip rotation21.9 deg

Ideal 11.5 to 21.5

9.9
Mid nose projection-0.4 mm

Ideal -1.25 to 0.5

10.0
Frankfort tip angle34.0 deg

Ideal 32 to 38

10.0

Lips

6.3 / 10

Upper lip (Burstone)-2.3 mm

Ideal -5.2 to -1.8

10.0
Lower lip (Burstone)-1.1 mm

Ideal -3.2 to -0.8

10.0
Upper lip (S-line)3.1 mm

Ideal -0.4 to 1.4

0.0
Lower lip (S-line)2.8 mm

Ideal -0.4 to 1.4

0.0
Upper lip (E-line)7.1 mm

Ideal 1.2 to 5.8

6.3
Lower lip (E-line)5.8 mm

Ideal 1.1 to 4.4

7.9
Holdaway H line0.6 mm

Ideal -0.2 to 1.2

10.0

Chin and jaw

6.4 / 10

Mentolabial angle148.1 deg

Ideal 111 to 127

0.0
Recession relative to Frankfort-2.5 mm

Ideal 1.5 to 15

7.1
Gonial angle124.3 deg

Ideal 115 to 121

7.0
Mandibular plane angle18.6 deg

Ideal 15 to 22

10.0
Ramus to mandible ratio0.55

Ideal 0.62 to 0.75

4.0
Gonion to mouth line17.7 mm

Ideal 15 to 45

10.0

Neck

0.0 / 10

Submental cervical angle123.5 deg

Ideal 94 to 106

0.0

Biggest strengths

These measurements sit in or right beside their ideal ranges and carry your score.

idealSide view

Ideal jawline slope

10.0

This contributes to a defined profile due to the jawline running at a classical slope from corner to chin.

Mandibular plane angle (side view)

idealSide view

Straight nasal bridge

10.0

This contributes to a refined profile due to the bridge running straight from root to tip.

Mid nose projection (side view)

idealSide view

Ideal nasolabial angle

10.0

This contributes to a refined nose-lip transition due to the angle under the nose sitting in its classical range.

Nasolabial angle (side view)

idealSide view

Ideal lip-chin plane

10.0

This contributes to a harmonious lower profile due to the lips and chin falling in one plane on Holdaway's H-line.

Holdaway H line (side view)

idealFront view

Ideal nose flare

10.0

This contributes to a refined nose due to the base widening in proportion to the bridge.

Nose bridge to nose width (front view)

idealFront view

Ideal alar angle

10.0

This contributes to midface harmony due to the nose base sitting in classical relation to the eye corners.

Ipsilateral alar angle (front view)

Areas to improve

5 features stand out - fixing what is fixable here moves your score the most.

severeFront view

Narrow midface

-0.54

The face is narrow for its midface height, which stretches the center of the face vertically.

Face width to height (front view)

severeFront view

Low-set mouth

-0.34

The mouth sits low in the lower third, which shortens the chin's share of the lower face.

Lower third proportion (front view)

severeFront view

Thin lips

-0.33

The lips are shallow for the width of the mouth, which reads as a thin mouth.

Lip fullness (front view)

severeFront view

Heavy lower lip

-0.33

The lower lip is much fuller than the upper, which can unbalance the mouth.

Lower to upper lip ratio (front view)

severeFront view

Long philtrum or short chin

-0.32

The philtrum is long for the chin below it, which can make the lower face read bottom-light.

Chin to philtrum ratio (front view)

Celebrity lookalikes

Both profiles

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Percentiles are modelled estimates centred on an average face at 5.0, not measured population data. Results depend on precise landmark placement, camera angle, and image quality.

Louis Tomlinson's strongest and weakest features

Louis Tomlinson scores 5.36 overall, and his profile outscores his front: 6.55 side against 4.63 front. His nose and facial proportions are his strongest features, and his costs come from the midface, the lips and the lower face proportions.

From the front, his upper and middle thirds and midface ratio are in band, his full face is ideally proportioned for its width, and his cheekbones sit high. The angle from the base of his nose to his outer eye corners is ideal, his nose bridge is in proportion to his nostrils, and his nose tip sits level with them. His mouth is the right width for his nose, his mouth corners sit well, and his ears sit flat. In profile, his facial convexity is in band, his nose angles, bridge line and the incline of the underside of his nose are ideal, his midface carries his nose base forward correctly, his lips sit on the Burstone and Holdaway references, and his jaw plane and jaw corner height are ideal.

His largest cost is that his midface reads long for the width of his cheekbones, at 1.70 where 1.96 to 2 is ideal, which is his weakest single metric at 2.50 out of 10. His upper lip is long, taking up 35.5% of the lower third against 31 to 33.5%, and his chin is short to match, at 1.69 times his philtrum against 2.15 to 2.45. His lips are thin, at 0.23 against 0.297 to 0.363, and his upper lip is thin against his lower, at a ratio of 2.62 against 1.55 to 1.85. His eyes are set wide for their length, at 1.37 against 1.05 to 1.1.