Celebrity analysis

How attractive is Leonardo DiCaprio - Facial Harmony Analysis

Actor - Titanic, Inception, The Wolf of Wall Street

Leonardo DiCaprio's midface is the strong half, with wide temples over a high cheek line, narrow hooded eyes under evenly tilted brows, a nose set right for width and angle, and a jaw corner and chin that land where they should in profile. Around it the face runs narrow and flat, with close-set eyes under high brows, flat outer eye corners, a wide nose on a thin bridge that projects hard off the face, an upper lip set well back, a narrow jaw with no line into the neck and ears that carry off the head.

Gender:
Male
Ethnicity:
Italian-German American
Eyes:
Blue
Harmony:
7.8 / 10
Leonardo DiCaprio front portrait
Leonardo DiCaprio side portrait

Analysis by RateMyFaceAI, using AI-placed, hand-verified landmarks on these photographs. Photo angle, expression, and placement affect the result. Read our methodology.

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Harmony report

Leonardo DiCaprio's facial harmony

Every pin on these photos verified by hand, then scored the same way your own analysis is. These scores describe shape and ratios only.

Front view

8.4

out of 10

Top 0.02%

Side view

6.7

out of 10

Top 12%

Best looking out of 200 people

Front harmony

Front analysis

34 available measurements from this image.

8.4/ 10 harmony
Leonardo DiCaprio front reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Facial thirds

10.0 / 10

Top third31.50%

Ideal 30 to 32

10.0
Middle third31.40%

Ideal 31.4 to 33.4

9.9
Lower third37.10%

Ideal 33.9 to 37

9.9

Face shape

8.0 / 10

Face width to height1.92

Ideal 1.96 to 2

8.4
Bitemporal width90.80%

Ideal 86.5 to 92.5

10.0
Midface ratio1.03

Ideal 0.97 to 1

9.6
2.1
Cheekbone height89.72%

Ideal 83 to 100

10.0

Eyes and brows

5.9 / 10

Lateral canthal tilt6.3 deg

Ideal 6 to 7.7

10.0
Eyebrow low setedness0.82

Ideal 0 to 0.45

6.6
Eye aspect ratio2.65

Ideal 3 to 3.5

0.2
Eye separation ratio45.77%

Ideal 45.7 to 46.8

10.0
One eye apart test1.33

Ideal 1.05 to 1.1

0.0
Eyebrow tilt12.2 deg

Ideal 6.5 to 11

9.0
Brow length to face width0.62

Ideal 0.69 to 0.76

5.4

Nose

9.1 / 10

Ipsilateral alar angle88.8 deg

Ideal 86.5 to 92.5

10.0
Deviation of IAA and JFA6.4 deg

Ideal 0 to 2.5

5.7
Nose bridge to nose width2.10

Ideal 2.06 to 2.14

10.0
Intercanthal to nasal width1.02

Ideal 1.04 to 1.16

9.9
Nose tip position-0.0 mm

Ideal 0 to 3

9.9

Mouth and lips

8.1 / 10

Cupid's bow depth1.7 mm

Ideal 2.3 to 4

5.2
Chin to philtrum ratio2.21

Ideal 2.15 to 2.45

10.0
Lower to upper lip ratio1.65

Ideal 1.55 to 1.85

10.0
Lip fullness0.31

Ideal 0.297 to 0.363

10.0
Interpupillary to mouth width0.77

Ideal 0.83 to 0.87

7.4
Mouth to nose width1.39

Ideal 1.42 to 1.5

9.5
Mouth corner position-1.1 mm

Ideal 0 to 4

5.0

Ears

6.1 / 10

Ear protrusion ratio11.48%

Ideal 8 to 12

10.0
Ear protrusion angle13.6 deg

Ideal 10 to 11.5

2.2

Jaw, neck and lower face

9.7 / 10

Jaw slope141.5 deg

Ideal 140 to 142.5

10.0
Bigonial width86.36%

Ideal 87.5 to 91.5

9.7
Lower third proportion32.64%

Ideal 31 to 33.5

10.0
Jaw frontal angle95.3 deg

Ideal 86.5 to 92.5

9.1
Neck width92.75%

Ideal 92 to 98

10.0

Side harmony

Side analysis

34 available measurements from this image.

6.7/ 10 harmony
Leonardo DiCaprio side reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Forehead and brow

4.9 / 10

Browridge inclination29.0 deg

Ideal 15 to 22

4.7
Nasofrontal angle128.7 deg

Ideal 116 to 128

9.9
Upper forehead slope6.5 deg

Ideal 0 to 2

0.0

Profile convexity

7.5 / 10

Z angle85.8 deg

Ideal 78 to 82

5.4
Total facial convexity148.7 deg

Ideal 140 to 147

9.8
Orbital vector1.4 mm

Ideal 1 to 10

10.0
Facial convexity (glabella)173.8 deg

Ideal 170 to 175

10.0
Anterior facial depth66.4 deg

Ideal 64.5 to 67.5

10.0
Facial convexity (nasion)169.3 deg

Ideal 163 to 166

4.1
Facial depth to height1.63

Ideal 1.3 to 1.44

1.0
Interior midface projection55.5 deg

Ideal 53 to 60

10.0

Nose

6.1 / 10

Nasal width to height0.79

Ideal 0.67 to 0.83

10.0
Nasal projection0.82

Ideal 0.59 to 0.67

0.0
Nasolabial angle112.3 deg

Ideal 97 to 114

10.0
Nasal tip angle144.2 deg

Ideal 128.5 to 138.5

0.4
Nasomental angle133.2 deg

Ideal 126 to 131

9.5
Nasofacial angle32.8 deg

Ideal 31 to 35

10.0
Nose tip rotation26.8 deg

Ideal 11.5 to 21.5

0.8
Mid nose projection-0.2 mm

Ideal -1.25 to 0.5

10.0
Frankfort tip angle44.2 deg

Ideal 32 to 38

4.5

Lips

6.1 / 10

Upper lip (Burstone)-0.8 mm

Ideal -5.2 to -1.8

4.4
Lower lip (Burstone)-1.6 mm

Ideal -3.2 to -0.8

10.0
Upper lip (S-line)3.8 mm

Ideal -0.4 to 1.4

0.0
Lower lip (S-line)1.1 mm

Ideal -0.4 to 1.4

10.0
Upper lip (E-line)7.4 mm

Ideal 1.2 to 5.8

4.8
Lower lip (E-line)3.2 mm

Ideal 1.1 to 4.4

10.0
Holdaway H line-1.1 mm

Ideal -0.2 to 1.2

3.7

Chin and jaw

8.5 / 10

Mentolabial angle136.2 deg

Ideal 111 to 127

4.6
Recession relative to Frankfort7.5 mm

Ideal 1.5 to 15

10.0
Gonial angle118.3 deg

Ideal 115 to 121

10.0
Mandibular plane angle9.2 deg

Ideal 15 to 22

6.4
Ramus to mandible ratio0.72

Ideal 0.62 to 0.75

10.0
Gonion to mouth line36.8 mm

Ideal 15 to 45

10.0

Neck

0.0 / 10

Submental cervical angle124.7 deg

Ideal 94 to 106

0.0

Biggest strengths

These measurements sit in or right beside their ideal ranges and carry your score.

idealSide view

Ideal jaw angle

10.0

This contributes to a harmonious lower face due to the jaw not lacking definition or being overly sharp at its corner.

Gonial angle (side view)

idealSide view

Ideal chin position

10.0

This contributes to a strong profile due to the chin sitting classically on the nasion perpendicular.

Recession relative to Frankfort (side view)

idealSide view

Ideal nasofacial angle

10.0

This contributes to a balanced profile due to the nose lifting off the facial plane at a classical angle.

Nasofacial angle (side view)

idealFront view

Ideal nose flare

10.0

This contributes to a refined nose due to the base widening in proportion to the bridge.

Nose bridge to nose width (front view)

idealFront view

Ideal jaw corner

10.0

This contributes to a defined lower face due to the jaw turning at a classical angle.

Jaw slope (front view)

idealSide view

Straight nasal bridge

10.0

This contributes to a refined profile due to the bridge running straight from root to tip.

Mid nose projection (side view)

Areas to improve

5 features stand out - fixing what is fixable here moves your score the most.

severeFront view

Wide intercanthal spacing

-0.21

There is more than one eye-width of space between the eyes, which reads wide-set.

One eye apart test (front view)

severeSide view

Soft chin-neck definition

-0.20

The angle under the chin is open, which reads as a soft or receding under-chin area.

Submental cervical angle (side view)

severeSide view

Over-projected nose tip

-0.17

The tip projects far for the bridge length, which can dominate the profile.

Nasal projection (side view)

severeFront view

Round eyes

-0.15

The eye opening is tall for its width, which reads rounder than the classical almond shape.

Eye aspect ratio (front view)

severeFront view

Short, wide face shape

-0.13

The face is short for its width, which can read compact and heavy.

Total facial width to height ratio (front view)

Celebrity lookalikes

Both profiles

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Percentiles are modelled estimates centred on an average face at 5.0, not measured population data. Results depend on precise landmark placement, camera angle, and image quality.

Leonardo DiCaprio's strongest and weakest features

Leonardo DiCaprio scores 7.75 overall, and his front clearly outscores his profile: 8.42 front against 6.66 side. His eye area, mouth and jaw are his strongest features, and his costs are moderate, with no metric scoring below 3.28.

From the front, his upper third, temples and cheekbones are in band. His outer eye corners tilt correctly, and his pupils sit at the right width across the face. The angle from the base of his nose to his outer eye corners is ideal, and his nose bridge is proportioned to his nostrils. His lips are full and sized correctly to each other, and his chin is proportioned to his philtrum. His jaw slope and neck width are ideal, and his ears sit flat. In profile, his orbital vector and facial depth are in band, his nasolabial angle and bridge line are ideal, his lower lip sits on all three lip references, his chin sits at the right depth, and his jaw corner angle, rear jaw length and jaw corner height are ideal.

His largest cost is eye spacing: his eyes are set wide for their length, at 1.33 eye widths apart against 1.05 to 1.1. In profile, his jaw meets his neck at a wide 124.7 degrees where 94 to 106 is ideal, so the jaw eases into the neck. His nose projects further than ideal, at 0.82 against 0.59 to 0.67, and his upper forehead is more rounded than ideal, at 6.5 degrees against 0 to 2. From the front, his eye openings read slightly round, at an aspect ratio of 2.65 against 3 to 3.5, and his full face reads slightly short for its width, at 1.29 against 1.34 to 1.37.