Celebrity analysis
How attractive is John Krasinski - Facial Harmony Analysis
Actor and director - The Office, A Quiet Place, Jack Ryan
The nose is well proportioned from both angles, set cleanly off the face and the lip with the tip placed right, over a jaw that keeps its width at the corners and a narrow neck. The face is long and narrow with a short forehead over a long midface, ears that carry well off the head, high flat brows with little support under the eyes, and a chin set back on a jaw that slopes down steeply into a soft neckline.
- Gender:
- Male
- Ethnicity:
- Polish-Irish American
- Eyes:
- Hazel
- Harmony:
- 4.5 / 10
Analysis by RateMyFaceAI, using AI-placed, hand-verified landmarks on these photographs. Photo angle, expression, and placement affect the result. Read our methodology.
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Harmony report
John Krasinski's facial harmony
Every pin on these photos verified by hand, then scored the same way your own analysis is. These scores describe shape and ratios only.
Overall harmony
4.5
out of 10
Bottom 42%
Front view
4.3
out of 10
Bottom 38%
Side view
4.8
out of 10
Bottom 48%
Worst looking out of 2 people
Front harmony
Front analysis
34 available measurements from this image.
Analysis reference
Hover or tap a score to see its measurement drawn on this image.
Facial thirds
3.3 / 10
Face shape
4.4 / 10
Eyes and brows
4.2 / 10
Nose
6.9 / 10
Mouth and lips
8.0 / 10
Ears
0.0 / 10
Jaw, neck and lower face
10.0 / 10
Side harmony
Side analysis
34 available measurements from this image.
Analysis reference
Hover or tap a score to see its measurement drawn on this image.
Forehead and brow
6.7 / 10
Profile convexity
5.9 / 10
Nose
8.6 / 10
Lips
5.7 / 10
Chin and jaw
3.6 / 10
Neck
0.0 / 10
Biggest strengths
These measurements sit in or right beside their ideal ranges and carry your score.
Ideal upper lip position (Burstone)
10.0This contributes to balanced lips due to the upper lip sitting classically just ahead of Burstone's line.
Upper lip (Burstone) (side view)
Ideal lower lip position (Burstone)
10.0This contributes to balanced lips due to the lower lip sitting classically just ahead of Burstone's line.
Lower lip (Burstone) (side view)
Ideal nose proportions
10.0This contributes to a refined nose due to its projection and height sitting in classical proportion.
Nasal width to height (side view)
Ideal forehead contour
10.0This contributes to a pleasant profile due to the forehead curving gently between brow and hairline.
Upper forehead slope (side view)
Ideal forehead width
10.0This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
Bitemporal width (front view)
Ideal profile convexity
10.0This contributes to a balanced profile due to brow, nose base, and chin falling in a gently convex line.
Facial convexity (glabella) (side view)
Areas to improve
5 features stand out - fixing what is fixable here moves your score the most.
Narrow midface
-0.67The face is narrow for its midface height, which stretches the center of the face vertically.
Face width to height (front view)
Short forehead
-0.38The forehead takes up less of the face than ideal, which can make the lower features read heavy.
Top third (front view)
Protruding ears
-0.37The ears stand out from the head beyond the typical range, which draws attention from the face.
Ear protrusion ratio (front view)
Flat eyebrow tilt
-0.36The brows rise little toward their peaks, which can read heavy or tired.
Eyebrow tilt (front view)
Long midface
-0.35The midface takes up more than its classical share, which can stretch the eye-to-mouth region.
Middle third (front view)
Celebrity lookalikes
Both profilesLoading the celebrity library...
Percentiles are modelled estimates centred on an average face at 5.0, not measured population data. Results depend on precise landmark placement, camera angle, and image quality.
John Krasinski's strongest and weakest features
John Krasinski scores 4.50 overall, 4.32 front and 4.78 side. His jaw and nose are his strongest features, and his costs come from the length of the midface, the forehead, the ears and the brows.
From the front, his lower third, temples and cheekbones are in band, and his nose is sized correctly to the space between his eyes. His lips are sized correctly to each other and his mouth corners sit well. His jaw is clean head-on: his bigonial width, the split of his lower third between lip and chin, the angle where the two sides of his jaw meet, and his neck width are all ideal. In profile, his forehead slope, facial convexity and facial depth are in band, his nose angles are ideal, his lips sit on the Burstone and Holdaway references, and his jaw corner angle and rear jaw length are ideal.
His largest cost is that his midface reads long for the width of his cheekbones, at 1.48 where 1.96 to 2 is ideal, which takes about 0.67 of a point and is his weakest single metric. His middle third takes up 38.1% of the face against 31.4 to 33.4%, while his forehead is short, at 25.3% against 30 to 32%. His ears stand out on both measures: they protrude at a ratio of 15.51 against 8 to 12, and they are angled out at 16 degrees against 10 to 11.5. His brows tilt slightly downward, at -1.8 degrees where 6.5 to 11 is ideal.