Celebrity analysis

How attractive is Jim Carrey - Facial Harmony Analysis

Comedian and actor - Ace Ventura, The Mask, The Truman Show

Jim Carrey is built wide and heavy up top, with broad temples, high flat cheekbones, low-set brows and a deep, well-supported eye area over an evenly split face. The rest gives it back: a face narrow for how long it runs, round wide-open eyes, a forehead that slopes away and no line at all where the chin meets the neck.

Gender:
Male
Ethnicity:
French-Canadian, Scottish and Irish
Eyes:
Brown
Harmony:
5.4 / 10
Jim Carrey front portrait
Jim Carrey side portrait

Analysis by RateMyFaceAI, using AI-placed, hand-verified landmarks on these photographs. Photo angle, expression, and placement affect the result. Read our methodology.

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Harmony report

Jim Carrey's facial harmony

Every pin on these photos verified by hand, then scored the same way your own analysis is. These scores describe shape and ratios only.

Front view

5.6

out of 10

Top 39%

Side view

5.0

out of 10

Top 50%

Best looking out of 2 people

Front harmony

Front analysis

34 available measurements from this image.

5.6/ 10 harmony
Jim Carrey front reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Facial thirds

9.9 / 10

Top third32.50%

Ideal 30 to 32

9.8
Middle third32.45%

Ideal 31.4 to 33.4

10.0
Lower third35.04%

Ideal 33.9 to 37

10.0

Face shape

4.0 / 10

Face width to height1.71

Ideal 1.96 to 2

0.0
Bitemporal width90.50%

Ideal 86.5 to 92.5

10.0
Midface ratio0.85

Ideal 0.97 to 1

0.0
0.0
Cheekbone height87.60%

Ideal 83 to 100

10.0

Eyes and brows

7.2 / 10

Lateral canthal tilt5.0 deg

Ideal 6 to 7.7

8.7
Eyebrow low setedness0.44

Ideal 0 to 0.45

10.0
Eye aspect ratio2.34

Ideal 3 to 3.5

0.0
Eye separation ratio44.46%

Ideal 45.7 to 46.8

8.0
One eye apart test1.20

Ideal 1.05 to 1.1

5.8
Eyebrow tilt4.7 deg

Ideal 6.5 to 11

8.0
Brow length to face width0.67

Ideal 0.69 to 0.76

9.8

Nose

4.9 / 10

Ipsilateral alar angle80.2 deg

Ideal 86.5 to 92.5

0.0
Deviation of IAA and JFA2.8 deg

Ideal 0 to 2.5

9.9
Nose bridge to nose width2.61

Ideal 2.06 to 2.14

0.0
Intercanthal to nasal width1.27

Ideal 1.04 to 1.16

4.5
Nose tip position1.9 mm

Ideal 0 to 3

10.0

Mouth and lips

5.0 / 10

Cupid's bow depth1.7 mm

Ideal 2.3 to 4

5.1
Chin to philtrum ratio1.94

Ideal 2.15 to 2.45

3.6
Lower to upper lip ratio2.32

Ideal 1.55 to 1.85

0.0
Lip fullness0.26

Ideal 0.297 to 0.363

0.0
Interpupillary to mouth width0.90

Ideal 0.83 to 0.87

9.2
Mouth to nose width1.35

Ideal 1.42 to 1.5

6.9
Mouth corner position2.3 mm

Ideal 0 to 4

10.0

Ears

10.0 / 10

Ear protrusion ratio10.50%

Ideal 8 to 12

10.0
Ear protrusion angle10.5 deg

Ideal 10 to 11.5

10.0

Jaw, neck and lower face

7.2 / 10

Jaw slope144.5 deg

Ideal 140 to 142.5

8.6
Bigonial width90.36%

Ideal 87.5 to 91.5

10.0
Lower third proportion33.16%

Ideal 31 to 33.5

10.0
Jaw frontal angle83.0 deg

Ideal 86.5 to 92.5

7.3
Neck width83.30%

Ideal 92 to 98

0.0

Side harmony

Side analysis

34 available measurements from this image.

5.0/ 10 harmony
Jim Carrey side reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Forehead and brow

3.3 / 10

Browridge inclination35.7 deg

Ideal 15 to 22

0.0
Nasofrontal angle124.8 deg

Ideal 116 to 128

10.0
Upper forehead slope8.9 deg

Ideal 0 to 2

0.0

Profile convexity

7.0 / 10

Z angle88.4 deg

Ideal 78 to 82

0.0
Total facial convexity145.0 deg

Ideal 140 to 147

10.0
Orbital vector2.6 mm

Ideal 1 to 10

10.0
Facial convexity (glabella)174.0 deg

Ideal 170 to 175

10.0
Anterior facial depth62.5 deg

Ideal 64.5 to 67.5

8.1
Facial convexity (nasion)171.5 deg

Ideal 163 to 166

0.0
Facial depth to height1.53

Ideal 1.3 to 1.44

7.8
Interior midface projection53.5 deg

Ideal 53 to 60

10.0

Nose

7.1 / 10

Nasal width to height0.87

Ideal 0.67 to 0.83

9.1
Nasal projection0.78

Ideal 0.59 to 0.67

0.0
Nasolabial angle87.7 deg

Ideal 97 to 114

8.5
Nasal tip angle130.3 deg

Ideal 128.5 to 138.5

10.0
Nasomental angle128.6 deg

Ideal 126 to 131

10.0
Nasofacial angle34.5 deg

Ideal 31 to 35

10.0
Nose tip rotation27.3 deg

Ideal 11.5 to 21.5

0.0
Mid nose projection-0.3 mm

Ideal -1.25 to 0.5

10.0
Frankfort tip angle42.8 deg

Ideal 32 to 38

6.6

Lips

3.0 / 10

Upper lip (Burstone)-3.3 mm

Ideal -5.2 to -1.8

10.0
Lower lip (Burstone)1.1 mm

Ideal -3.2 to -0.8

2.8
Upper lip (S-line)2.6 mm

Ideal -0.4 to 1.4

1.1
Lower lip (S-line)4.6 mm

Ideal -0.4 to 1.4

0.0
Upper lip (E-line)7.3 mm

Ideal 1.2 to 5.8

5.6
Lower lip (E-line)7.3 mm

Ideal 1.1 to 4.4

1.7
Holdaway H line3.0 mm

Ideal -0.2 to 1.2

0.0

Chin and jaw

6.7 / 10

Mentolabial angle146.5 deg

Ideal 111 to 127

0.0
Recession relative to Frankfort17.2 mm

Ideal 1.5 to 15

9.9
Gonial angle128.0 deg

Ideal 115 to 121

0.0
Mandibular plane angle18.1 deg

Ideal 15 to 22

10.0
Ramus to mandible ratio0.64

Ideal 0.62 to 0.75

10.0
Gonion to mouth line21.1 mm

Ideal 15 to 45

10.0

Neck

0.0 / 10

Submental cervical angle164.0 deg

Ideal 94 to 106

0.0

Biggest strengths

These measurements sit in or right beside their ideal ranges and carry your score.

idealFront view

Ideal middle third

10.0

This contributes to balanced facial thirds due to the midface holding its classical share between brow and nose.

Middle third (front view)

idealSide view

Ideal nose-chin balance

10.0

This contributes to a balanced profile due to nose projection and chin position complementing each other.

Nasomental angle (side view)

idealSide view

Straight nasal bridge

10.0

This contributes to a refined profile due to the bridge running straight from root to tip.

Mid nose projection (side view)

idealSide view

Ideal jawline slope

10.0

This contributes to a defined profile due to the jawline running at a classical slope from corner to chin.

Mandibular plane angle (side view)

idealSide view

Ideal upper lip position (Burstone)

10.0

This contributes to balanced lips due to the upper lip sitting classically just ahead of Burstone's line.

Upper lip (Burstone) (side view)

idealFront view

Ideal mouth corner position

10.0

This contributes to a pleasant resting expression due to the corners sitting level with or slightly above the mouth line.

Mouth corner position (front view)

Areas to improve

5 features stand out - fixing what is fixable here moves your score the most.

severeFront view

Narrow midface

-0.51

The face is narrow for its midface height, which stretches the center of the face vertically.

Face width to height (front view)

severeFront view

Flared nose base

-0.39

The nose base is wide relative to the bridge, which can make the nostrils read flared.

Nose bridge to nose width (front view)

severeFront view

Round eyes

-0.33

The eye opening is tall for its width, which reads rounder than the classical almond shape.

Eye aspect ratio (front view)

severeSide view

Soft chin-neck definition

-0.32

The angle under the chin is open, which reads as a soft or receding under-chin area.

Submental cervical angle (side view)

severeFront view

Narrow alar angle

-0.29

The angle from the nose base to the eye corners is tight, which reads as a long midface or close-set eyes.

Ipsilateral alar angle (front view)

Celebrity lookalikes

Both profiles

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Percentiles are modelled estimates centred on an average face at 5.0, not measured population data. Results depend on precise landmark placement, camera angle, and image quality.

Jim Carrey's strongest and weakest features

Jim Carrey scores 5.41 overall, 5.65 front and 5.03 side. His facial thirds, jaw width and profile convexity are his strongest features, and his costs come from the midface, the nose and eyes, and the neck line in profile.

From the front, his middle and lower thirds and his temples are in band, and his cheekbones sit high. His brows are set low. His nose tip sits level with his nostrils and his mouth corners sit well. His bigonial width and the split of his lower third between lip and chin are ideal, and his ears sit flat. In profile, the step from his brow to his nose, his orbital vector and his facial convexity are in band, his nose angles and bridge line are ideal, his midface carries his nose base forward correctly, his upper lip sits on the Burstone reference, and his jaw plane, rear jaw length and jaw corner height are ideal.

His largest cost is that his midface reads long for the width of his cheekbones, at 1.71 where 1.96 to 2 is ideal, which takes about 0.51 of a point. His nose bridge reads narrow against the width of his nostrils, at 2.61 against 2.06 to 2.14, and the angle from the base of his nose to his outer eye corners is narrow, at 80.2 degrees against 86.5 to 92.5. His eye openings read round, at an aspect ratio of 2.34 against 3 to 3.5. In profile, his jaw eases into his neck at 164.1 degrees against 94 to 106, which is his weakest single metric at 0.56 out of 10, and his upper forehead is more rounded than ideal, at 8.9 against 0 to 2.