Celebrity analysis
How attractive is Jake Gyllenhaal - Facial Harmony Analysis
Actor - Brokeback Mountain, Nightcrawler, Donnie Darko
Jake Gyllenhaal has a heavy brow ridge, a chin that carries forward, eyes spaced almost exactly one apart and a well-set nose over an even lower face. Head-on the frame goes narrow and soft, with a face far too narrow for its height, narrow temples, close-set eyes on no tilt over hollow under-eyes, thin lips, ears that stand far off the head and a jaw that slopes rather than turns.
- Gender:
- Male
- Ethnicity:
- Swedish-Jewish American
- Eyes:
- Blue
- Harmony:
- 5.3 / 10
Analysis by RateMyFaceAI, using AI-placed, hand-verified landmarks on these photographs. Photo angle, expression, and placement affect the result. Read our methodology.
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Harmony report
Jake Gyllenhaal's facial harmony
Every pin on these photos verified by hand, then scored the same way your own analysis is. These scores describe shape and ratios only.
Overall harmony
5.3
out of 10
Top 47%
Front view
4.3
out of 10
Bottom 36%
Side view
7.0
out of 10
Top 6.3%
Best looking out of 2 people
Front harmony
Front analysis
34 available measurements from this image.
Analysis reference
Hover or tap a score to see its measurement drawn on this image.
Facial thirds
10.0 / 10
Face shape
4.3 / 10
Eyes and brows
5.3 / 10
Nose
4.7 / 10
Mouth and lips
7.6 / 10
Ears
0.0 / 10
Jaw, neck and lower face
6.7 / 10
Side harmony
Side analysis
34 available measurements from this image.
Analysis reference
Hover or tap a score to see its measurement drawn on this image.
Forehead and brow
6.5 / 10
Profile convexity
6.0 / 10
Nose
7.8 / 10
Lips
7.0 / 10
Chin and jaw
7.1 / 10
Neck
10.0 / 10
Biggest strengths
These measurements sit in or right beside their ideal ranges and carry your score.
Ideal jawline slope
10.0This contributes to a defined profile due to the jawline running at a classical slope from corner to chin.
Mandibular plane angle (side view)
Ideal lower-third balance
10.0This contributes to a harmonious lower face due to the mouth sitting a classical third of the way from nose to chin.
Lower third proportion (front view)
Ideal chin-philtrum balance
10.0This contributes to a harmonious lower face due to chin height and philtrum length sitting in classical proportion.
Chin to philtrum ratio (front view)
Ideal nose tip height
10.0This contributes to a refined nose due to the tip sitting just below the nostril line.
Nose tip position (front view)
Ideal chin position
10.0This contributes to a strong profile due to the chin sitting classically on the nasion perpendicular.
Recession relative to Frankfort (side view)
Ideal lower third
10.0This contributes to a harmonious lower face due to the mouth, chin, and jaw holding their classical share of face height.
Lower third (front view)
Areas to improve
5 features stand out - fixing what is fixable here moves your score the most.
Narrow midface
-0.55The face is narrow for its midface height, which stretches the center of the face vertically.
Face width to height (front view)
Protruding ears
-0.43The ears angle out from the head beyond the typical range, which draws attention from the face.
Ear protrusion angle (front view)
Midface-jaw mismatch
-0.41The midface and jaw taper along visibly different lines, which reads as disharmony between the upper and lower face.
Deviation of IAA and JFA (front view)
Thin lips
-0.39The lips are shallow for the width of the mouth, which reads as a thin mouth.
Lip fullness (front view)
Negative canthal tilt
-0.35The outer eye corners sit low, which can read as tired or downturned eyes.
Lateral canthal tilt (front view)
Celebrity lookalikes
Both profilesLoading the celebrity library...
Percentiles are modelled estimates centred on an average face at 5.0, not measured population data. Results depend on precise landmark placement, camera angle, and image quality.
Jake Gyllenhaal's strongest and weakest features
Jake Gyllenhaal scores 5.28 overall, and his profile clearly outscores his front: 6.96 side against 4.26 front. His vertical proportions and profile are his strongest features, and his costs come from the face shape, ears, lips and eyes seen head-on.
From the front, his upper and lower thirds are in band, his cheekbones sit high, and the split of his lower third between lip and chin is ideal. His chin is proportioned to his philtrum and his neck width is ideal. In profile, his brow ridge and facial convexity are in band, his nasolabial angle and nose tip angle are ideal, his upper lip sits on the Burstone reference, his chin sits at the right depth, and his jaw plane is ideal.
His largest cost is that his midface reads long for the width of his cheekbones, at 1.70 against an ideal of 1.96 to 2, which takes about 0.55 of a point. His ears are angled out at 19.1 degrees against 10 to 11.5. His jaw angle and the angle from the base of his nose to his outer eye corners differ by 19.6 degrees, against an ideal of 2.5 or less, and the nose angle itself is narrow, at 79.8 degrees against 86.5 to 92.5. His lips are thin, at 0.21 against 0.297 to 0.363, and his outer eye corners sit almost flat, tilting up only 0.7 degrees where 6 to 7.7 is ideal.