Celebrity analysis

How attractive is Gary Cooper - Facial Harmony Analysis

Actor - High Noon, Sergeant York, Mr. Deeds Goes to Town

Gary Cooper has high cheekbones, well-spaced eyes, full lips, a wide jaw on a strong neck and a chin that sits well forward in profile. His face runs long and narrow, his upper lip is long over a short chin, his profile runs flat with almost no dip at the nose bridge and his ears flare outward.

Gender:
Male
Ethnicity:
English
Eyes:
Blue
Harmony:
6.8 / 10
Gary Cooper front portrait
Gary Cooper side portrait

Analysis by RateMyFaceAI, using AI-placed, hand-verified landmarks on these photographs. Photo angle, expression, and placement affect the result. Read our methodology.

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Harmony report

Gary Cooper's facial harmony

Every pin on these photos verified by hand, then scored the same way your own analysis is. These scores describe shape and ratios only.

Front view

6.7

out of 10

Top 11%

Side view

6.9

out of 10

Top 6.6%

Best looking out of 10 people

Front harmony

Front analysis

34 available measurements from this image.

6.7/ 10 harmony
Gary Cooper front reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Facial thirds

4.8 / 10

Top third28.09%

Ideal 30 to 32

1.6
Middle third32.69%

Ideal 31.4 to 33.4

10.0
Lower third39.22%

Ideal 33.9 to 37

2.9

Face shape

7.5 / 10

Face width to height1.73

Ideal 1.96 to 2

0.0
Bitemporal width92.76%

Ideal 86.5 to 92.5

9.9
Midface ratio0.92

Ideal 0.97 to 1

7.7
9.7
Cheekbone height86.85%

Ideal 83 to 100

10.0

Eyes and brows

7.9 / 10

Lateral canthal tilt4.5 deg

Ideal 6 to 7.7

6.9
Eyebrow low setedness0.64

Ideal 0 to 0.45

9.3
Eye aspect ratio2.70

Ideal 3 to 3.5

2.1
Eye separation ratio46.31%

Ideal 45.7 to 46.8

10.0
One eye apart test1.15

Ideal 1.05 to 1.1

8.9
Eyebrow tilt4.9 deg

Ideal 6.5 to 11

8.4
Brow length to face width0.69

Ideal 0.69 to 0.76

9.9

Nose

7.3 / 10

Ipsilateral alar angle87.2 deg

Ideal 86.5 to 92.5

10.0
Deviation of IAA and JFA8.5 deg

Ideal 0 to 2.5

0.8
Nose bridge to nose width2.25

Ideal 2.06 to 2.14

5.9
Intercanthal to nasal width1.17

Ideal 1.04 to 1.16

9.9
Nose tip position0.4 mm

Ideal 0 to 3

10.0

Mouth and lips

7.3 / 10

Cupid's bow depth1.8 mm

Ideal 2.3 to 4

7.0
Chin to philtrum ratio1.84

Ideal 2.15 to 2.45

0.0
Lower to upper lip ratio1.41

Ideal 1.55 to 1.85

9.3
Lip fullness0.30

Ideal 0.297 to 0.363

10.0
Interpupillary to mouth width0.81

Ideal 0.83 to 0.87

9.7
Mouth to nose width1.33

Ideal 1.42 to 1.5

5.4
Mouth corner position1.5 mm

Ideal 0 to 4

10.0

Ears

4.6 / 10

Ear protrusion ratio12.49%

Ideal 8 to 12

9.1
Ear protrusion angle14.3 deg

Ideal 10 to 11.5

0.0

Jaw, neck and lower face

7.2 / 10

Jaw slope137.2 deg

Ideal 140 to 142.5

7.5
Bigonial width89.48%

Ideal 87.5 to 91.5

10.0
Lower third proportion36.57%

Ideal 31 to 33.5

0.0
Jaw frontal angle95.8 deg

Ideal 86.5 to 92.5

8.6
Neck width91.28%

Ideal 92 to 98

9.9

Side harmony

Side analysis

34 available measurements from this image.

6.9/ 10 harmony
Gary Cooper side reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Forehead and brow

5.3 / 10

Browridge inclination27.5 deg

Ideal 15 to 22

6.7
Nasofrontal angle146.5 deg

Ideal 116 to 128

0.0
Upper forehead slope3.2 deg

Ideal 0 to 2

9.2

Profile convexity

6.5 / 10

Z angle82.3 deg

Ideal 78 to 82

9.9
Total facial convexity144.5 deg

Ideal 140 to 147

10.0
Orbital vector-1.2 mm

Ideal 1 to 10

5.7
Facial convexity (glabella)176.7 deg

Ideal 170 to 175

8.4
Anterior facial depth74.4 deg

Ideal 64.5 to 67.5

0.7
Facial convexity (nasion)176.4 deg

Ideal 163 to 166

0.0
Facial depth to height1.37

Ideal 1.3 to 1.44

10.0
Interior midface projection62.3 deg

Ideal 53 to 60

7.4

Nose

7.7 / 10

Nasal width to height0.75

Ideal 0.67 to 0.83

10.0
Nasal projection0.78

Ideal 0.59 to 0.67

0.0
Nasolabial angle96.5 deg

Ideal 97 to 114

9.9
Nasal tip angle140.6 deg

Ideal 128.5 to 138.5

8.6
Nasomental angle133.6 deg

Ideal 126 to 131

9.2
Nasofacial angle30.1 deg

Ideal 31 to 35

9.6
Nose tip rotation26.4 deg

Ideal 11.5 to 21.5

1.7
Mid nose projection0.4 mm

Ideal -1.25 to 0.5

10.0
Frankfort tip angle38.5 deg

Ideal 32 to 38

9.9

Lips

8.3 / 10

Upper lip (Burstone)-5.5 mm

Ideal -5.2 to -1.8

9.9
Lower lip (Burstone)-2.5 mm

Ideal -3.2 to -0.8

10.0
Upper lip (S-line)1.4 mm

Ideal -0.4 to 1.4

10.0
Lower lip (S-line)2.2 mm

Ideal -0.4 to 1.4

1.2
Upper lip (E-line)6.6 mm

Ideal 1.2 to 5.8

8.8
Lower lip (E-line)5.7 mm

Ideal 1.1 to 4.4

8.1
Holdaway H line1.3 mm

Ideal -0.2 to 1.2

9.9

Chin and jaw

8.3 / 10

Mentolabial angle140.2 deg

Ideal 111 to 127

0.1
Recession relative to Frankfort1.4 mm

Ideal 1.5 to 15

9.9
Gonial angle118.4 deg

Ideal 115 to 121

10.0
Mandibular plane angle17.6 deg

Ideal 15 to 22

10.0
Ramus to mandible ratio0.63

Ideal 0.62 to 0.75

10.0
Gonion to mouth line22.7 mm

Ideal 15 to 45

10.0

Neck

0.0 / 10

Submental cervical angle117.4 deg

Ideal 94 to 106

0.0

Biggest strengths

These measurements sit in or right beside their ideal ranges and carry your score.

idealFront view

Ideal jaw width

10.0

This contributes to a harmonious lower face due to the jaw being neither too narrow nor too wide for the cheekbones.

Bigonial width (front view)

idealSide view

Ideal nose proportions

10.0

This contributes to a refined nose due to its projection and height sitting in classical proportion.

Nasal width to height (side view)

idealSide view

Ideal depth-to-height balance

10.0

This contributes to a balanced head shape due to facial depth sitting in classical proportion to face height.

Facial depth to height (side view)

idealFront view

Ideal eye spacing

10.0

This contributes to a balanced midface due to the eyes sitting neither too close together nor too far apart.

Eye separation ratio (front view)

idealSide view

Ideal jaw angle

10.0

This contributes to a harmonious lower face due to the jaw not lacking definition or being overly sharp at its corner.

Gonial angle (side view)

idealFront view

Ideal mouth corner position

10.0

This contributes to a pleasant resting expression due to the corners sitting level with or slightly above the mouth line.

Mouth corner position (front view)

Areas to improve

5 features stand out - fixing what is fixable here moves your score the most.

severeFront view

Narrow midface

-0.46

The face is narrow for its midface height, which stretches the center of the face vertically.

Face width to height (front view)

severeFront view

Low-set mouth

-0.37

The mouth sits low in the lower third, which shortens the chin's share of the lower face.

Lower third proportion (front view)

severeSide view

Concave profile

-0.24

The profile runs flat to concave at the nose base, which can read as a prominent chin or flat midface.

Facial convexity (nasion) (side view)

severeSide view

Flat nasal root

-0.24

The transition from forehead to nose is shallow, which flattens the profile at the root.

Nasofrontal angle (side view)

severeFront view

Protruding ears

-0.21

The ears angle out from the head beyond the typical range, which draws attention from the face.

Ear protrusion angle (front view)

Celebrity lookalikes

Both profiles

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Percentiles are modelled estimates centred on an average face at 5.0, not measured population data. Results depend on precise landmark placement, camera angle, and image quality.

Gary Cooper's strongest and weakest features

Gary Cooper scores 6.80 overall, and his profile edges his front: 6.94 side against 6.72 front. His cheekbones, eye spacing, lips, jaw and chin are his strongest features, and his costs come from a long, narrow face, a long upper lip over a short chin, a flat profile at the nose bridge, a shallow step from brow to nose and ears that stand out.

From the front, his middle third is in band, his temples are the right width, and his cheekbones sit high. His pupils sit the right distance apart for his face width, and his brows run the right length for his face. The angle from the base of his nose to his outer eye corners is ideal, his nose is the right width for the space between his eyes, and his nose tip sits level with his nostrils. His lips are full, and his mouth corners sit well. His jaw and neck are the right width. In profile, his Z angle, total facial convexity and facial depth are in band. His nose's forward length is in proportion to its height, and his nasolabial angle, bridge line and the incline of the underside of his nose are ideal. Both lips sit on the Burstone reference, his upper lip sits on the S-line, and his lips meet the Holdaway line. His chin sits correctly forward, and his jaw corner angle, jaw plane and rear jaw length are ideal.

His largest cost is that his midface reads long for the width of his cheekbones, at 1.73 against 1.96 to 2, which takes about 0.46 of a point. His upper lip is long, taking up 36.6% of the lower third against 31 to 33.5%, which is his weakest single metric at 1.54 out of 10, and his chin is short, at 1.84 times his philtrum against 2.15 to 2.45. His lower third is long, at 39.2% of face height against 33.9 to 37%, and his upper third is short, at 28.1% against 30 to 32%. His ears stand out from his head at 14.3 degrees against 10 to 11.5, and his jaw angle differs from the angle from nose base to outer eye corners by 8.5 degrees, where 2.5 or less is ideal. In profile, his face is flat through the nose bridge, at 176.4 degrees against 163 to 166, and the step from his brow to his nose is shallow, at a nasofrontal angle of 146.5 degrees against 116 to 128. His jaw meets his neck at a wide 117.4 degrees where 94 to 106 is ideal, and his nose projects further than ideal, at 0.78 against 0.59 to 0.67.