Celebrity analysis

How attractive is Ezra Miller - Facial Harmony Analysis

Actor - The Perks of Being a Wallflower, The Flash, We Need to Talk About Kevin

Ezra Miller reads long and delicate, with a well-set nose over lips that land on the line, an even nasolabial angle and a jaw that holds its plane from the side. The face is far too narrow for its height, with wide-spaced eyes under high flat brows, almost no canthal tilt, a jaw that slopes rather than turns, and a chin and lower lip that both fall back behind the profile.

Gender:
Male
Ethnicity:
American Jewish
Eyes:
Brown
Harmony:
6.1 / 10
Ezra Miller front portrait
Ezra Miller side portrait

Analysis by RateMyFaceAI, using AI-placed, hand-verified landmarks on these photographs. Photo angle, expression, and placement affect the result. Read our methodology.

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Harmony report

Ezra Miller's facial harmony

Every pin on these photos verified by hand, then scored the same way your own analysis is. These scores describe shape and ratios only.

Front view

5.4

out of 10

Top 45%

Side view

7.3

out of 10

Top 2.4%

Best looking out of 4 people

Front harmony

Front analysis

34 available measurements from this image.

5.4/ 10 harmony
Ezra Miller front reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Facial thirds

5.9 / 10

Top third28.65%

Ideal 30 to 32

5.5
Middle third35.52%

Ideal 31.4 to 33.4

2.1
Lower third35.83%

Ideal 33.9 to 37

10.0

Face shape

5.9 / 10

Face width to height1.59

Ideal 1.96 to 2

0.0
Bitemporal width94.38%

Ideal 86.5 to 92.5

9.5
Midface ratio0.98

Ideal 0.97 to 1

10.0
0.0
Cheekbone height84.66%

Ideal 83 to 100

10.0

Eyes and brows

3.8 / 10

Lateral canthal tilt1.5 deg

Ideal 6 to 7.7

0.0
Eyebrow low setedness1.44

Ideal 0 to 0.45

0.0
Eye aspect ratio2.87

Ideal 3 to 3.5

8.7
Eye separation ratio49.15%

Ideal 45.7 to 46.8

0.0
One eye apart test1.35

Ideal 1.05 to 1.1

0.0
Eyebrow tilt4.7 deg

Ideal 6.5 to 11

8.1
Brow length to face width0.71

Ideal 0.69 to 0.76

10.0

Nose

7.2 / 10

Ipsilateral alar angle86.2 deg

Ideal 86.5 to 92.5

9.9
Deviation of IAA and JFA12.7 deg

Ideal 0 to 2.5

0.0
Nose bridge to nose width2.09

Ideal 2.06 to 2.14

10.0
Intercanthal to nasal width0.98

Ideal 1.04 to 1.16

6.2
Nose tip position1.7 mm

Ideal 0 to 3

10.0

Mouth and lips

8.5 / 10

Cupid's bow depth1.6 mm

Ideal 2.3 to 4

4.3
Chin to philtrum ratio2.00

Ideal 2.15 to 2.45

6.5
Lower to upper lip ratio1.87

Ideal 1.55 to 1.85

9.9
Lip fullness0.37

Ideal 0.297 to 0.363

9.8
Interpupillary to mouth width0.79

Ideal 0.83 to 0.87

9.0
Mouth to nose width1.49

Ideal 1.42 to 1.5

10.0
Mouth corner position0.7 mm

Ideal 0 to 4

10.0

Ears

9.8 / 10

Ear protrusion ratio9.67%

Ideal 8 to 12

10.0
Ear protrusion angle12.0 deg

Ideal 10 to 11.5

9.6

Jaw, neck and lower face

5.8 / 10

Jaw slope133.4 deg

Ideal 140 to 142.5

0.0
Bigonial width93.08%

Ideal 87.5 to 91.5

9.3
Lower third proportion33.76%

Ideal 31 to 33.5

9.5
Jaw frontal angle98.9 deg

Ideal 86.5 to 92.5

4.3
Neck width86.80%

Ideal 92 to 98

5.9

Side harmony

Side analysis

34 available measurements from this image.

7.3/ 10 harmony
Ezra Miller side reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Forehead and brow

5.9 / 10

Browridge inclination23.8 deg

Ideal 15 to 22

9.7
Nasofrontal angle141.7 deg

Ideal 116 to 128

0.0
Upper forehead slope3.9 deg

Ideal 0 to 2

7.8

Profile convexity

6.4 / 10

Z angle73.8 deg

Ideal 78 to 82

1.4
Total facial convexity138.5 deg

Ideal 140 to 147

9.2
Orbital vector-2.4 mm

Ideal 1 to 10

0.9
Facial convexity (glabella)166.6 deg

Ideal 170 to 175

3.4
Anterior facial depth66.9 deg

Ideal 64.5 to 67.5

10.0
Facial convexity (nasion)164.6 deg

Ideal 163 to 166

10.0
Facial depth to height1.43

Ideal 1.3 to 1.44

10.0
Interior midface projection62.8 deg

Ideal 53 to 60

6.1

Nose

8.7 / 10

Nasal width to height0.64

Ideal 0.67 to 0.83

9.9
Nasal projection0.67

Ideal 0.59 to 0.67

10.0
Nasolabial angle100.6 deg

Ideal 97 to 114

10.0
Nasal tip angle131.2 deg

Ideal 128.5 to 138.5

10.0
Nasomental angle129.5 deg

Ideal 126 to 131

10.0
Nasofacial angle32.2 deg

Ideal 31 to 35

10.0
Nose tip rotation29.3 deg

Ideal 11.5 to 21.5

0.0
Mid nose projection-0.5 mm

Ideal -1.25 to 0.5

10.0
Frankfort tip angle40.9 deg

Ideal 32 to 38

8.8

Lips

4.9 / 10

Upper lip (Burstone)-4.7 mm

Ideal -5.2 to -1.8

10.0
Lower lip (Burstone)-5.9 mm

Ideal -3.2 to -0.8

0.0
Upper lip (S-line)-0.0 mm

Ideal -0.4 to 1.4

10.0
Lower lip (S-line)-3.2 mm

Ideal -0.4 to 1.4

0.0
Upper lip (E-line)3.4 mm

Ideal 1.2 to 5.8

10.0
Lower lip (E-line)-1.2 mm

Ideal 1.1 to 4.4

4.5
Holdaway H line-3.2 mm

Ideal -0.2 to 1.2

0.0

Chin and jaw

9.0 / 10

Mentolabial angle129.6 deg

Ideal 111 to 127

9.7
Recession relative to Frankfort-3.8 mm

Ideal 1.5 to 15

4.8
Gonial angle115.8 deg

Ideal 115 to 121

10.0
Mandibular plane angle21.1 deg

Ideal 15 to 22

10.0
Ramus to mandible ratio0.59

Ideal 0.62 to 0.75

9.3
Gonion to mouth line15.0 mm

Ideal 15 to 45

10.0

Neck

9.7 / 10

Submental cervical angle108.1 deg

Ideal 94 to 106

9.7

Biggest strengths

These measurements sit in or right beside their ideal ranges and carry your score.

idealSide view

Ideal upper lip position (E-line)

10.0

This contributes to balanced lips due to the upper lip sitting classically just behind Ricketts' E-line.

Upper lip (E-line) (side view)

idealSide view

Ideal profile convexity at the nasion

10.0

This contributes to a balanced profile due to nasal root, nose base, and chin falling in a gently convex line.

Facial convexity (nasion) (side view)

idealFront view

Ideal midface ratio

10.0

This contributes to a harmonious midface due to eye spacing and midface length sitting in proportion.

Midface ratio (front view)

idealFront view

Ideal nose tip height

10.0

This contributes to a refined nose due to the tip sitting just below the nostril line.

Nose tip position (front view)

idealSide view

Straight nasal bridge

10.0

This contributes to a refined profile due to the bridge running straight from root to tip.

Mid nose projection (side view)

idealFront view

Ideal nose flare

10.0

This contributes to a refined nose due to the base widening in proportion to the bridge.

Nose bridge to nose width (front view)

Areas to improve

5 features stand out - fixing what is fixable here moves your score the most.

severeFront view

Narrow midface

-0.60

The face is narrow for its midface height, which stretches the center of the face vertically.

Face width to height (front view)

severeFront view

Long, narrow face shape

-0.35

The face is long for its width, which can read stretched.

Total facial width to height ratio (front view)

severeFront view

Negative canthal tilt

-0.31

The outer eye corners sit low, which can read as tired or downturned eyes.

Lateral canthal tilt (front view)

severeFront view

Midface-jaw mismatch

-0.30

The midface and jaw taper along visibly different lines, which reads as disharmony between the upper and lower face.

Deviation of IAA and JFA (front view)

severeFront view

Wide intercanthal spacing

-0.29

There is more than one eye-width of space between the eyes, which reads wide-set.

One eye apart test (front view)

Celebrity lookalikes

Both profiles

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Percentiles are modelled estimates centred on an average face at 5.0, not measured population data. Results depend on precise landmark placement, camera angle, and image quality.

Ezra Miller's strongest and weakest features

Ezra Miller scores 6.13 overall, and the profile is clearly stronger than the front: 7.32 side against 5.39 front. The nose and lips are the strongest features, and most of the cost comes from the shape of the face and the eye area seen head-on.

From the front, the lower third and midface ratio are in band, the cheekbones sit high, and the brows are the right length for the face. The nose bridge is ideally proportioned to the nostrils, and the mouth is sized correctly to the nose, with mouth corners that sit well. The ears sit flat. In profile, the facial depth, nose projection and nose angles are all ideal, the upper lip sits on all three lip references, and the jaw corner and jaw plane are ideal.

The largest cost is that the midface reads long for the width of the cheekbones, at 1.59 against an ideal of 1.96 to 2, which takes about 0.60 of a point. The full face also reads long for its width, at a height to cheekbone width ratio of 1.43 against 1.34 to 1.37. The eye area costs next: the outer eye corners tilt up only 1.5 degrees where 6 to 7.7 is ideal, the eyes are set wide for their length at 1.35 eye widths apart against 1.05 to 1.1, and the brows sit high above the eyes, at 1.44 against 0 to 0.45. The jaw angle and the angle from the base of the nose to the outer eye corners differ by 12.7 degrees, against an ideal of 2.5 or less.