Celebrity analysis
How attractive is Eddie Redmayne - Facial Harmony Analysis
Actor - The Theory of Everything, Fantastic Beasts, The Danish Girl
Eddie Redmayne is built around the eyes and jaw, with low-set, evenly tilted brows over well-spaced eyes that have real under-eye support, high cheekbones and a sharp jaw corner. The frame is where it slips, with a tall sloping forehead over a short lower face, a pinched nose base, an upturned tip and ears that swing wide.
- Gender:
- Male
- Ethnicity:
- English
- Eyes:
- Green
- Harmony:
- 7.2 / 10
Analysis by RateMyFaceAI, using AI-placed, hand-verified landmarks on these photographs. Photo angle, expression, and placement affect the result. Read our methodology.
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Harmony report
Eddie Redmayne's facial harmony
Every pin on these photos verified by hand, then scored the same way your own analysis is. These scores describe shape and ratios only.
Overall harmony
7.2
out of 10
Top 3.5%
Front view
7.0
out of 10
Top 6.1%
Side view
7.6
out of 10
Top 1.1%
Best looking out of 30 people
Front harmony
Front analysis
34 available measurements from this image.
Analysis reference
Hover or tap a score to see its measurement drawn on this image.
Facial thirds
4.3 / 10
Face shape
8.0 / 10
Eyes and brows
7.7 / 10
Nose
4.9 / 10
Mouth and lips
7.3 / 10
Ears
1.9 / 10
Jaw, neck and lower face
9.2 / 10
Side harmony
Side analysis
34 available measurements from this image.
Analysis reference
Hover or tap a score to see its measurement drawn on this image.
Forehead and brow
6.7 / 10
Profile convexity
7.2 / 10
Nose
7.4 / 10
Lips
10.0 / 10
Chin and jaw
8.3 / 10
Neck
8.7 / 10
Biggest strengths
These measurements sit in or right beside their ideal ranges and carry your score.
Ideal middle third
10.0This contributes to balanced facial thirds due to the midface holding its classical share between brow and nose.
Middle third (front view)
Ideal cheekbone height
10.0This contributes to a well-supported midface due to the widest point of the cheekbones sitting high.
Cheekbone height (front view)
Ideal nasofrontal angle
10.0This contributes to a refined profile due to the forehead flowing into the nose at a classical angle.
Nasofrontal angle (side view)
Ideal nose width
10.0This contributes to midface harmony due to the nose base spanning just over the space between the eyes, per the classical guideline.
Intercanthal to nasal width (front view)
Ideal jaw length
10.0This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
Ramus to mandible ratio (side view)
Ideal lip fullness
10.0This contributes to attractive lips due to the lip height sitting in proportion with the width of the mouth.
Lip fullness (front view)
Areas to improve
5 features stand out - fixing what is fixable here moves your score the most.
Narrow alar angle
-0.30The angle from the nose base to the eye corners is tight, which reads as a long midface or close-set eyes.
Ipsilateral alar angle (front view)
Wide mouth for the nose
-0.23The mouth is far wider than the nose base, which can unbalance the two features.
Mouth to nose width (front view)
Rounded forehead
-0.22The forehead bends strongly between brow and hairline, which can read bossed or angled.
Upper forehead slope (side view)
Tall forehead
-0.21The forehead takes up more of the face than ideal, drawing attention away from the eyes and midface.
Top third (front view)
Midface-jaw mismatch
-0.20The midface and jaw taper along visibly different lines, which reads as disharmony between the upper and lower face.
Deviation of IAA and JFA (front view)
Celebrity lookalikes
Both profilesLoading the celebrity library...
Percentiles are modelled estimates centred on an average face at 5.0, not measured population data. Results depend on precise landmark placement, camera angle, and image quality.
Eddie Redmayne's strongest and weakest features
Eddie Redmayne scores 7.19 overall, and his profile outscores his front: 7.55 side against 6.97 front. His eyes, lips and profile are his strongest features, and his costs come from a narrow nose angle, a wide mouth, a rounded upper forehead, a tall upper third, the jaw angle and his ears.
From the front, his middle third is in band, his full face is ideally proportioned for its width, and his cheekbones sit high. His outer eye corners tilt correctly and his pupils sit the right distance apart for his face width. His nose is sized correctly to the space between his eyes. His lips are full, his upper lip is the ideal length, and his mouth corners sit well. His jaw angle toward the chin is ideal. In profile, his forehead leans back from the brow correctly, the step from his brow to his nose is in band, his cheek sits correctly forward of his eye, and his facial convexity at the nose base is in band. His nose's forward length is in proportion to its height. His lips sit on the Burstone and E-line references for both lips and the S-line for the upper lip, his chin sits correctly forward, and his jaw corner, jaw proportions and jaw corner height are ideal.
His largest cost is that the angle from the base of his nose to his outer eye corners is narrow, at 79.3 degrees against 86.5 to 92.5, which takes about 0.30 of a point. His mouth is wide for his nose, at 1.65 nose widths against 1.42 to 1.5. In profile, his upper forehead is more rounded than ideal, at 11.2 against 0 to 2, which is his weakest single metric at 2.63 out of 10. His upper third is tall, at 35.9% of face height against 30 to 32%, his jaw angle differs from the angle from nose base to outer eye corners by 9.6 degrees, where 2.5 or less is ideal, and his ears stand out from his head at 14.2 degrees against 10 to 11.5.