Celebrity analysis
How attractive is David Gandy - Facial Harmony Analysis
Model - Dolce & Gabbana Light Blue, Marks & Spencer, Vogue
David Gandy is built around the eyes and the jaw: an upturned outer eye corner, a wide jaw that keeps a clean corner and a straight line from cheekbone to gonion under a flat forehead. The lower face gives it back, with a thin upper lip set well behind the profile line and a long nose whose tip drops and pushes the whole profile forward.
- Gender:
- Male
- Ethnicity:
- English
- Eyes:
- Blue
- Harmony:
- 8.1 / 10
Analysis by RateMyFaceAI, using AI-placed, hand-verified landmarks on these photographs. Photo angle, expression, and placement affect the result. Read our methodology.
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Harmony report
David Gandy's facial harmony
Every pin on these photos verified by hand, then scored the same way your own analysis is. These scores describe shape and ratios only.
Overall harmony
8.1
out of 10
Top 0.1%
Front view
7.9
out of 10
Top 0.2%
Side view
8.3
out of 10
Top 0.04%
Best looking out of 800 people
Front harmony
Front analysis
34 available measurements from this image.
Analysis reference
Hover or tap a score to see its measurement drawn on this image.
Facial thirds
10.0 / 10
Face shape
7.7 / 10
Eyes and brows
8.8 / 10
Nose
5.7 / 10
Mouth and lips
8.1 / 10
Ears
3.4 / 10
Jaw, neck and lower face
10.0 / 10
Side harmony
Side analysis
34 available measurements from this image.
Analysis reference
Hover or tap a score to see its measurement drawn on this image.
Forehead and brow
9.8 / 10
Profile convexity
8.6 / 10
Nose
8.0 / 10
Lips
4.2 / 10
Chin and jaw
10.0 / 10
Neck
6.7 / 10
Biggest strengths
These measurements sit in or right beside their ideal ranges and carry your score.
Ideal nose tip rotation
10.0This contributes to a refined nose due to the tip being gently rotated without exposing the nostrils.
Nose tip rotation (side view)
Ideal chin position
10.0This contributes to a strong profile due to the chin sitting classically on the nasion perpendicular.
Recession relative to Frankfort (side view)
Ideal forehead contour
10.0This contributes to a pleasant profile due to the forehead curving gently between brow and hairline.
Upper forehead slope (side view)
Ideal lower-third balance
10.0This contributes to a harmonious lower face due to the mouth sitting a classical third of the way from nose to chin.
Lower third proportion (front view)
Ideal nose proportions
10.0This contributes to a refined nose due to its projection and height sitting in classical proportion.
Nasal width to height (side view)
Ideal nasofrontal angle
10.0This contributes to a refined profile due to the forehead flowing into the nose at a classical angle.
Nasofrontal angle (side view)
Areas to improve
5 features stand out - fixing what is fixable here moves your score the most.
Narrow midface
-0.39The face is narrow for its midface height, which stretches the center of the face vertically.
Face width to height (front view)
Protruding ears
-0.23The ears angle out from the head beyond the typical range, which draws attention from the face.
Ear protrusion angle (front view)
Narrow alar angle
-0.18The angle from the nose base to the eye corners is tight, which reads as a long midface or close-set eyes.
Ipsilateral alar angle (front view)
Flared nose base
-0.13The nose base is wide relative to the bridge, which can make the nostrils read flared.
Nose bridge to nose width (front view)
Recessed lower lip
-0.12The lower lip falls behind the S-line, which can read flat.
Lower lip (S-line) (side view)
Celebrity lookalikes
Both profilesLoading the celebrity library...
Percentiles are modelled estimates centred on an average face at 5.0, not measured population data. Results depend on precise landmark placement, camera angle, and image quality.
David Gandy's strongest and weakest features
David Gandy scores 8.05 overall, with an even front and side (7.93 and 8.25). His facial proportions, jaw and profile are his strongest features, and his costs are mostly mild.
From the front, all three facial thirds are in band, his full face is ideally proportioned for its width, and his cheekbones sit high. His outer eye corners tilt correctly and his eyes are spaced correctly for their length. His mouth is the right width for both his nose and his pupil distance, and his mouth corners sit well. The split of his lower third between lip and chin, the angle where the two sides of his jaw meet, and his neck width are all ideal. In profile, the step from his brow to his nose, his forehead slope, facial convexity and facial depth are in band, his nose angles and tip rotation are ideal, his midface carries his nose base forward correctly, his chin sits at the right depth, and his mentolabial angle, jaw corner angle, jaw plane and jaw corner height are all ideal.
His largest cost is that his midface reads long for the width of his cheekbones, at 1.75 where 1.96 to 2 is ideal, which takes about 0.39 of a point. His ears are angled out at 14.9 degrees against 10 to 11.5, and the angle from the base of his nose to his outer eye corners is slightly narrow, at 82.1 degrees against 86.5 to 92.5. His nose bridge reads slightly narrow against the width of his nostrils, at 2.29 against 2.06 to 2.14, and his lower lip is full relative to his upper, at 2.20 against 1.55 to 1.85. In profile, his lower lip sits 4.1mm ahead of the S-line against -0.4 to 1.4mm, which is his weakest single metric at 1.46 out of 10.