Celebrity analysis

How attractive is David Beckham - Facial Harmony Analysis

Footballer - Manchester United, Real Madrid, England captain

David Beckham's midface carries it, with high cheekbones holding the eyes forward, an even forehead-to-jaw stack, a well-set nose and real lift at the mouth corners over a square jaw front-on. The mouth and the profile give ground, with a thin upper lip under a much fuller lower one, eyes on almost no tilt, a tip rotated up, no crease under the lip and no clean line from jaw into neck.

Gender:
Male
Ethnicity:
British
Eyes:
Green
Harmony:
6.5 / 10
David Beckham front portrait
David Beckham side portrait

Analysis by RateMyFaceAI, using AI-placed, hand-verified landmarks on these photographs. Photo angle, expression, and placement affect the result. Read our methodology.

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Harmony report

David Beckham's facial harmony

Every pin on these photos verified by hand, then scored the same way your own analysis is. These scores describe shape and ratios only.

Front view

6.0

out of 10

Top 28%

Side view

7.3

out of 10

Top 2.7%

Best looking out of 7 people

Front harmony

Front analysis

34 available measurements from this image.

6.0/ 10 harmony
David Beckham front reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Facial thirds

10.0 / 10

Top third31.47%

Ideal 30 to 32

10.0
Middle third33.66%

Ideal 31.4 to 33.4

9.9
Lower third34.87%

Ideal 33.9 to 37

10.0

Face shape

5.3 / 10

Face width to height1.84

Ideal 1.96 to 2

0.0
Bitemporal width93.11%

Ideal 86.5 to 92.5

9.9
Midface ratio0.90

Ideal 0.97 to 1

5.6
0.8
Cheekbone height90.63%

Ideal 83 to 100

10.0

Eyes and brows

6.8 / 10

Lateral canthal tilt1.8 deg

Ideal 6 to 7.7

0.0
Eyebrow low setedness0.52

Ideal 0 to 0.45

9.9
Eye aspect ratio3.51

Ideal 3 to 3.5

9.9
Eye separation ratio44.33%

Ideal 45.7 to 46.8

7.5
One eye apart test1.29

Ideal 1.05 to 1.1

0.0
Eyebrow tilt7.7 deg

Ideal 6.5 to 11

10.0
Brow length to face width0.69

Ideal 0.69 to 0.76

9.9

Nose

4.6 / 10

Ipsilateral alar angle78.8 deg

Ideal 86.5 to 92.5

0.0
Deviation of IAA and JFA10.5 deg

Ideal 0 to 2.5

0.0
Nose bridge to nose width2.28

Ideal 2.06 to 2.14

3.1
Intercanthal to nasal width1.07

Ideal 1.04 to 1.16

10.0
Nose tip position2.6 mm

Ideal 0 to 3

10.0

Mouth and lips

6.5 / 10

Cupid's bow depth1.7 mm

Ideal 2.3 to 4

5.3
Chin to philtrum ratio2.22

Ideal 2.15 to 2.45

10.0
Lower to upper lip ratio3.00

Ideal 1.55 to 1.85

0.0
Lip fullness0.23

Ideal 0.297 to 0.363

0.0
Interpupillary to mouth width0.86

Ideal 0.83 to 0.87

10.0
Mouth to nose width1.51

Ideal 1.42 to 1.5

9.9
Mouth corner position3.0 mm

Ideal 0 to 4

10.0

Ears

10.0 / 10

Ear protrusion ratio7.70%

Ideal 8 to 12

9.9
Ear protrusion angle9.8 deg

Ideal 10 to 11.5

9.9

Jaw, neck and lower face

6.0 / 10

Jaw slope147.4 deg

Ideal 140 to 142.5

1.3
Bigonial width85.42%

Ideal 87.5 to 91.5

8.7
Lower third proportion29.90%

Ideal 31 to 33.5

0.0
Jaw frontal angle89.3 deg

Ideal 86.5 to 92.5

10.0
Neck width97.60%

Ideal 92 to 98

10.0

Side harmony

Side analysis

34 available measurements from this image.

7.3/ 10 harmony
David Beckham side reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Forehead and brow

7.9 / 10

Browridge inclination12.4 deg

Ideal 15 to 22

3.6
Nasofrontal angle124.8 deg

Ideal 116 to 128

10.0
Upper forehead slope0.4 deg

Ideal 0 to 2

10.0

Profile convexity

8.1 / 10

Z angle79.6 deg

Ideal 78 to 82

10.0
Total facial convexity150.2 deg

Ideal 140 to 147

9.1
Orbital vector2.0 mm

Ideal 1 to 10

10.0
Facial convexity (glabella)172.7 deg

Ideal 170 to 175

10.0
Anterior facial depth71.3 deg

Ideal 64.5 to 67.5

6.8
Facial convexity (nasion)167.5 deg

Ideal 163 to 166

8.8
Facial depth to height1.39

Ideal 1.3 to 1.44

10.0
Interior midface projection66.4 deg

Ideal 53 to 60

0.0

Nose

7.2 / 10

Nasal width to height0.71

Ideal 0.67 to 0.83

10.0
Nasal projection0.74

Ideal 0.59 to 0.67

5.4
Nasolabial angle109.8 deg

Ideal 97 to 114

10.0
Nasal tip angle142.7 deg

Ideal 128.5 to 138.5

4.3
Nasomental angle135.0 deg

Ideal 126 to 131

8.1
Nasofacial angle30.2 deg

Ideal 31 to 35

9.7
Nose tip rotation30.7 deg

Ideal 11.5 to 21.5

0.0
Mid nose projection-0.0 mm

Ideal -1.25 to 0.5

10.0
Frankfort tip angle42.3 deg

Ideal 32 to 38

7.2

Lips

8.2 / 10

Upper lip (Burstone)-2.5 mm

Ideal -5.2 to -1.8

10.0
Lower lip (Burstone)-0.5 mm

Ideal -3.2 to -0.8

9.8
Upper lip (S-line)1.9 mm

Ideal -0.4 to 1.4

8.5
Lower lip (S-line)2.7 mm

Ideal -0.4 to 1.4

0.0
Upper lip (E-line)5.2 mm

Ideal 1.2 to 5.8

10.0
Lower lip (E-line)5.2 mm

Ideal 1.1 to 4.4

9.5
Holdaway H line1.4 mm

Ideal -0.2 to 1.2

9.9

Chin and jaw

8.1 / 10

Mentolabial angle146.6 deg

Ideal 111 to 127

0.0
Recession relative to Frankfort-1.2 mm

Ideal 1.5 to 15

8.7
Gonial angle114.3 deg

Ideal 115 to 121

9.8
Mandibular plane angle20.4 deg

Ideal 15 to 22

10.0
Ramus to mandible ratio0.61

Ideal 0.62 to 0.75

9.8
Gonion to mouth line17.0 mm

Ideal 15 to 45

10.0

Neck

0.0 / 10

Submental cervical angle122.3 deg

Ideal 94 to 106

0.0

Biggest strengths

These measurements sit in or right beside their ideal ranges and carry your score.

idealFront view

Ideal lower face taper

10.0

This contributes to a harmonious lower face due to the jawlines tapering at a classical angle.

Jaw frontal angle (front view)

idealSide view

Ideal profile convexity

10.0

This contributes to a balanced profile due to brow, nose base, and chin falling in a gently convex line.

Facial convexity (glabella) (side view)

idealFront view

Ideal cheekbone height

10.0

This contributes to a well-supported midface due to the widest point of the cheekbones sitting high.

Cheekbone height (front view)

idealSide view

Ideal profile line

10.0

This contributes to a balanced profile due to the chin and lips falling on a classical line.

Z angle (side view)

idealSide view

Ideal depth-to-height balance

10.0

This contributes to a balanced head shape due to facial depth sitting in classical proportion to face height.

Facial depth to height (side view)

idealFront view

Ideal lower third

10.0

This contributes to a harmonious lower face due to the mouth, chin, and jaw holding their classical share of face height.

Lower third (front view)

Areas to improve

5 features stand out - fixing what is fixable here moves your score the most.

severeFront view

Heavy lower lip

-0.38

The lower lip is much fuller than the upper, which can unbalance the mouth.

Lower to upper lip ratio (front view)

severeFront view

Narrow alar angle

-0.32

The angle from the nose base to the eye corners is tight, which reads as a long midface or close-set eyes.

Ipsilateral alar angle (front view)

severeFront view

Thin lips

-0.32

The lips are shallow for the width of the mouth, which reads as a thin mouth.

Lip fullness (front view)

severeFront view

Negative canthal tilt

-0.28

The outer eye corners sit low, which can read as tired or downturned eyes.

Lateral canthal tilt (front view)

severeFront view

Narrow midface

-0.28

The face is narrow for its midface height, which stretches the center of the face vertically.

Face width to height (front view)

Celebrity lookalikes

Both profiles

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Percentiles are modelled estimates centred on an average face at 5.0, not measured population data. Results depend on precise landmark placement, camera angle, and image quality.

David Beckham's strongest and weakest features

David Beckham scores 6.51 overall, and his profile outscores his front: 7.27 side against 6.05 front. His profile and jaw are his strongest features, and his costs come from the lips, the angle of the nose base and the eye tilt.

From the front, his upper and lower thirds are in band and his cheekbones sit high. His brows are tilted correctly, and his nose is sized correctly to the space between his eyes. His chin is in proportion to his philtrum, his mouth is the right width for his pupil distance, and his mouth corners sit well. The angle where the two sides of his jaw meet and his neck width are ideal. In profile, the step from his brow to his nose, his forehead slope, Z angle, orbital vector, facial convexity and facial depth are in band, his nose angle to the lip and bridge line are ideal, his upper lip sits on the Burstone and E-line references, and his jaw plane and jaw corner height are ideal.

His largest cost is his lips: his upper lip is thin against his lower, at a ratio of 3.00 where 1.55 to 1.85 is ideal, which takes about 0.38 of a point, and his lips are thin overall, at 0.23 against 0.297 to 0.363. The angle from the base of his nose to his outer eye corners is narrow, at 78.8 degrees against 86.5 to 92.5, and it differs from his jaw angle by 10.5 degrees against 2.5 or less. His outer eye corners tilt up only 1.8 degrees where 6 to 7.7 is ideal, and his midface reads slightly long for the width of his cheekbones, at 1.84 against 1.96 to 2.