Celebrity analysis

How attractive is Daniel Radcliffe - Facial Harmony Analysis

Actor - Harry Potter, Swiss Army Man, Weird: The Al Yankovic Story

Daniel Radcliffe's profile is the strong half: a clean brow and forehead line, a straight nose sitting well between them, lips on the line and a jaw that runs at a good angle back from the chin. Head-on the face narrows and softens, with close-set round eyes under a flat eye tilt, a long philtrum over a short chin, and a jaw that reads blunt and low-slung rather than cut.

Gender:
Male
Ethnicity:
British Jewish
Eyes:
Blue
Harmony:
5.5 / 10
Daniel Radcliffe front portrait
Daniel Radcliffe side portrait

Analysis by RateMyFaceAI, using AI-placed, hand-verified landmarks on these photographs. Photo angle, expression, and placement affect the result. Read our methodology.

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Harmony report

Daniel Radcliffe's facial harmony

Every pin on these photos verified by hand, then scored the same way your own analysis is. These scores describe shape and ratios only.

Front view

4.2

out of 10

Bottom 35%

Side view

7.7

out of 10

Top 0.7%

Best looking out of 2 people

Front harmony

Front analysis

34 available measurements from this image.

4.2/ 10 harmony
Daniel Radcliffe front reference used for facial harmony analysis

Analysis reference

Hover a score to see its measurement drawn on this image.

Facial thirds

7.7 / 10

Top third29.47%

Ideal 30 to 32

9.4
Middle third35.27%

Ideal 31.4 to 33.4

3.6
Lower third35.26%

Ideal 33.9 to 37

10.0

Face shape

5.8 / 10

Face width to height1.80

Ideal 1.96 to 2

0.0
Bitemporal width95.51%

Ideal 86.5 to 92.5

8.4
Midface ratio0.99

Ideal 0.97 to 1

10.0
1.1
Cheekbone height79.88%

Ideal 83 to 100

9.3

Eyes and brows

4.6 / 10

Lateral canthal tilt2.7 deg

Ideal 6 to 7.7

0.0
Eyebrow low setedness0.89

Ideal 0 to 0.45

5.2
Eye aspect ratio2.61

Ideal 3 to 3.5

0.0
Eye separation ratio44.22%

Ideal 45.7 to 46.8

7.0
One eye apart test0.89

Ideal 0.95 to 1

0.0
Eyebrow tilt6.1 deg

Ideal 6.5 to 11

9.9
Brow length to face width0.73

Ideal 0.69 to 0.76

10.0

Nose

6.6 / 10

Ipsilateral alar angle86.7 deg

Ideal 86.5 to 92.5

10.0
Deviation of IAA and JFA22.1 deg

Ideal 0 to 2.5

0.0
Nose bridge to nose width2.25

Ideal 2.06 to 2.14

5.8
Intercanthal to nasal width1.23

Ideal 1.04 to 1.16

7.5
Nose tip position3.1 mm

Ideal 0 to 3

9.9

Mouth and lips

6.3 / 10

Cupid's bow depth1.7 mm

Ideal 2.3 to 4

6.4
Chin to philtrum ratio2.88

Ideal 2.15 to 2.45

0.0
Lower to upper lip ratio1.69

Ideal 1.55 to 1.85

10.0
Lip fullness0.15

Ideal 0.297 to 0.363

0.0
Interpupillary to mouth width0.81

Ideal 0.83 to 0.87

9.6
Mouth to nose width1.38

Ideal 1.42 to 1.5

9.3
Mouth corner position-0.5 mm

Ideal 0 to 4

8.8

Ears

9.7 / 10

Ear protrusion ratio7.12%

Ideal 8 to 12

9.7
Ear protrusion angle12.0 deg

Ideal 10 to 11.5

9.7

Jaw, neck and lower face

3.6 / 10

Jaw slope130.0 deg

Ideal 140 to 142.5

0.0
Bigonial width92.63%

Ideal 87.5 to 91.5

9.7
Lower third proportion27.12%

Ideal 31 to 33.5

0.0
Jaw frontal angle108.8 deg

Ideal 86.5 to 92.5

0.0
Neck width88.52%

Ideal 92 to 98

8.3

Side harmony

Side analysis

34 available measurements from this image.

7.7/ 10 harmony
Daniel Radcliffe side reference used for facial harmony analysis

Analysis reference

Hover a score to see its measurement drawn on this image.

Forehead and brow

6.7 / 10

Browridge inclination19.7 deg

Ideal 15 to 22

10.0
Nasofrontal angle142.0 deg

Ideal 116 to 128

0.0
Upper forehead slope1.6 deg

Ideal 0 to 2

10.0

Profile convexity

8.0 / 10

Z angle81.9 deg

Ideal 78 to 82

10.0
Total facial convexity148.1 deg

Ideal 140 to 147

9.9
Orbital vector-0.7 mm

Ideal 1 to 10

7.5
Facial convexity (glabella)172.0 deg

Ideal 170 to 175

10.0
Anterior facial depth68.0 deg

Ideal 64.5 to 67.5

9.9
Facial convexity (nasion)169.3 deg

Ideal 163 to 166

4.1
Facial depth to height1.61

Ideal 1.3 to 1.44

2.4
Interior midface projection60.5 deg

Ideal 53 to 60

9.9

Nose

8.1 / 10

Nasal width to height0.71

Ideal 0.67 to 0.83

10.0
Nasal projection0.71

Ideal 0.59 to 0.67

8.7
Nasolabial angle113.6 deg

Ideal 97 to 114

10.0
Nasal tip angle139.2 deg

Ideal 128.5 to 138.5

9.9
Nasomental angle134.0 deg

Ideal 126 to 131

9.0
Nasofacial angle28.3 deg

Ideal 31 to 35

6.2
Nose tip rotation28.5 deg

Ideal 11.5 to 21.5

0.0
Mid nose projection0.2 mm

Ideal -1.25 to 0.5

10.0
Frankfort tip angle40.4 deg

Ideal 32 to 38

9.3

Lips

7.1 / 10

Upper lip (Burstone)-1.3 mm

Ideal -5.2 to -1.8

8.4
Lower lip (Burstone)-1.0 mm

Ideal -3.2 to -0.8

10.0
Upper lip (S-line)3.5 mm

Ideal -0.4 to 1.4

0.0
Lower lip (S-line)2.0 mm

Ideal -0.4 to 1.4

4.1
Upper lip (E-line)7.0 mm

Ideal 1.2 to 5.8

6.8
Lower lip (E-line)4.2 mm

Ideal 1.1 to 4.4

10.0
Holdaway H line-0.2 mm

Ideal -0.2 to 1.2

10.0

Chin and jaw

8.0 / 10

Mentolabial angle142.4 deg

Ideal 111 to 127

0.0
Recession relative to Frankfort-0.7 mm

Ideal 1.5 to 15

9.2
Gonial angle122.9 deg

Ideal 115 to 121

9.1
Mandibular plane angle16.9 deg

Ideal 15 to 22

10.0
Ramus to mandible ratio0.61

Ideal 0.62 to 0.75

9.9
Gonion to mouth line17.2 mm

Ideal 15 to 45

10.0

Neck

5.2 / 10

Submental cervical angle113.3 deg

Ideal 94 to 106

5.2

Biggest strengths

These measurements sit in or right beside their ideal ranges and carry your score.

idealFront view

Ideal lower third

10.0

This contributes to a harmonious lower face due to the mouth, chin, and jaw holding their classical share of face height.

Lower third (front view)

idealFront view

Ideal midface ratio

10.0

This contributes to a harmonious midface due to eye spacing and midface length sitting in proportion.

Midface ratio (front view)

idealFront view

Ideal brow length

10.0

This contributes to a framed eye area due to the brows spanning the eyes in proportion to the face.

Brow length to face width (front view)

idealFront view

Ideal alar angle

10.0

This contributes to midface harmony due to the nose base sitting in classical relation to the eye corners.

Ipsilateral alar angle (front view)

idealFront view

Ideal lip ratio

10.0

This contributes to attractive lips due to the lower lip being classically fuller than the upper.

Lower to upper lip ratio (front view)

idealSide view

Ideal forehead slope

10.0

This contributes to a balanced profile due to the forehead leaning back at a classical angle.

Browridge inclination (side view)

Areas to improve

5 features stand out - fixing what is fixable here moves your score the most.

severeFront view

Thin lips

-0.45

The lips are shallow for the width of the mouth, which reads as a thin mouth.

Lip fullness (front view)

severeFront view

High-set mouth

-0.44

The mouth sits close under the nose, which lengthens the chin's share of the lower face.

Lower third proportion (front view)

severeFront view

Midface-jaw mismatch

-0.43

The midface and jaw taper along visibly different lines, which reads as disharmony between the upper and lower face.

Deviation of IAA and JFA (front view)

severeFront view

Narrow midface

-0.40

The face is narrow for its midface height, which stretches the center of the face vertically.

Face width to height (front view)

severeFront view

Square lower face

-0.34

The jawlines run wide apart, which squares the lower face.

Jaw frontal angle (front view)

Celebrity lookalikes

Both profiles

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Percentiles are modelled estimates centred on an average face at 5.0, not measured population data. Results depend on precise landmark placement, camera angle, and image quality.