Celebrity analysis

How attractive is Chris Pine - Facial Harmony Analysis

Actor - Star Trek, Wonder Woman, Hell or High Water

Chris Pine is a head-on face, with a wide compact frame, high cheekbones, a well-cut nose set between them, even thirds and a full mouth over a broad jaw. The profile flattens out, with a shallow brow ridge, little under-eye support, a nose running out ahead of a chin set back and no jaw-to-neck line.

Gender:
Male
Ethnicity:
English, German, Welsh and Russian Jewish
Eyes:
Blue
Harmony:
6.9 / 10
Chris Pine front portrait
Chris Pine side portrait

Analysis by RateMyFaceAI, using AI-placed, hand-verified landmarks on these photographs. Photo angle, expression, and placement affect the result. Read our methodology.

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Harmony report

Chris Pine's facial harmony

Every pin on these photos verified by hand, then scored the same way your own analysis is. These scores describe shape and ratios only.

Front view

8.4

out of 10

Top 0.02%

Side view

4.4

out of 10

Bottom 40%

Best looking out of 10 people

Front harmony

Front analysis

34 available measurements from this image.

8.4/ 10 harmony
Chris Pine front reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Facial thirds

8.9 / 10

Top third33.06%

Ideal 30 to 32

8.9
Middle third30.23%

Ideal 31.4 to 33.4

7.9
Lower third36.71%

Ideal 33.9 to 37

10.0

Face shape

8.8 / 10

Face width to height1.96

Ideal 1.96 to 2

9.9
Bitemporal width81.25%

Ideal 86.5 to 92.5

3.9
Midface ratio0.98

Ideal 0.97 to 1

10.0
9.9
Cheekbone height89.42%

Ideal 83 to 100

10.0

Eyes and brows

7.1 / 10

Lateral canthal tilt3.4 deg

Ideal 6 to 7.7

0.8
Eyebrow low setedness0.58

Ideal 0 to 0.45

9.7
Eye aspect ratio3.20

Ideal 3 to 3.5

10.0
Eye separation ratio43.96%

Ideal 45.7 to 46.8

5.8
One eye apart test1.22

Ideal 1.05 to 1.1

3.8
Eyebrow tilt9.2 deg

Ideal 6.5 to 11

10.0
Brow length to face width0.67

Ideal 0.69 to 0.76

9.8

Nose

8.0 / 10

Ipsilateral alar angle86.6 deg

Ideal 86.5 to 92.5

10.0
Deviation of IAA and JFA11.9 deg

Ideal 0 to 2.5

0.0
Nose bridge to nose width2.06

Ideal 2.06 to 2.14

10.0
Intercanthal to nasal width1.15

Ideal 1.04 to 1.16

10.0
Nose tip position2.1 mm

Ideal 0 to 3

10.0

Mouth and lips

9.6 / 10

Cupid's bow depth2.6 mm

Ideal 2.3 to 4

10.0
Chin to philtrum ratio2.40

Ideal 2.15 to 2.45

10.0
Lower to upper lip ratio1.30

Ideal 1.55 to 1.85

7.1
Lip fullness0.33

Ideal 0.297 to 0.363

10.0
Interpupillary to mouth width0.89

Ideal 0.83 to 0.87

9.8
Mouth to nose width1.44

Ideal 1.42 to 1.5

10.0
Mouth corner position-0.1 mm

Ideal 0 to 4

9.9

Ears

4.1 / 10

Ear protrusion ratio12.67%

Ideal 8 to 12

8.2
Ear protrusion angle15.7 deg

Ideal 10 to 11.5

0.0

Jaw, neck and lower face

8.6 / 10

Jaw slope137.5 deg

Ideal 140 to 142.5

8.1
Bigonial width88.22%

Ideal 87.5 to 91.5

10.0
Lower third proportion33.17%

Ideal 31 to 33.5

10.0
Jaw frontal angle98.5 deg

Ideal 86.5 to 92.5

4.9
Neck width97.61%

Ideal 92 to 98

10.0

Side harmony

Side analysis

34 available measurements from this image.

4.4/ 10 harmony
Chris Pine side reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Forehead and brow

2.5 / 10

Browridge inclination10.0 deg

Ideal 15 to 22

0.0
Nasofrontal angle140.2 deg

Ideal 116 to 128

0.0
Upper forehead slope4.1 deg

Ideal 0 to 2

7.5

Profile convexity

4.6 / 10

Z angle80.9 deg

Ideal 78 to 82

10.0
Total facial convexity151.2 deg

Ideal 140 to 147

8.3
Orbital vector-4.9 mm

Ideal 1 to 10

0.0
Facial convexity (glabella)176.5 deg

Ideal 170 to 175

8.7
Anterior facial depth78.3 deg

Ideal 64.5 to 67.5

0.0
Facial convexity (nasion)175.7 deg

Ideal 163 to 166

0.0
Facial depth to height1.41

Ideal 1.3 to 1.44

10.0
Interior midface projection72.4 deg

Ideal 53 to 60

0.0

Nose

6.4 / 10

Nasal width to height0.81

Ideal 0.67 to 0.83

10.0
Nasal projection0.86

Ideal 0.59 to 0.67

0.0
Nasolabial angle96.7 deg

Ideal 97 to 114

9.9
Nasal tip angle145.9 deg

Ideal 128.5 to 138.5

0.0
Nasomental angle137.7 deg

Ideal 126 to 131

4.5
Nasofacial angle28.5 deg

Ideal 31 to 35

6.8
Nose tip rotation24.5 deg

Ideal 11.5 to 21.5

6.7
Mid nose projection-0.2 mm

Ideal -1.25 to 0.5

10.0
Frankfort tip angle39.8 deg

Ideal 32 to 38

9.6

Lips

8.4 / 10

Upper lip (Burstone)-3.5 mm

Ideal -5.2 to -1.8

10.0
Lower lip (Burstone)-0.5 mm

Ideal -3.2 to -0.8

9.9
Upper lip (S-line)1.2 mm

Ideal -0.4 to 1.4

10.0
Lower lip (S-line)2.4 mm

Ideal -0.4 to 1.4

0.0
Upper lip (E-line)4.8 mm

Ideal 1.2 to 5.8

10.0
Lower lip (E-line)4.7 mm

Ideal 1.1 to 4.4

9.9
Holdaway H line1.7 mm

Ideal -0.2 to 1.2

8.7

Chin and jaw

8.7 / 10

Mentolabial angle133.2 deg

Ideal 111 to 127

7.5
Recession relative to Frankfort-3.8 mm

Ideal 1.5 to 15

4.8
Gonial angle119.1 deg

Ideal 115 to 121

10.0
Mandibular plane angle19.0 deg

Ideal 15 to 22

10.0
Ramus to mandible ratio0.73

Ideal 0.62 to 0.75

10.0
Gonion to mouth line19.8 mm

Ideal 15 to 45

10.0

Neck

0.0 / 10

Submental cervical angle131.5 deg

Ideal 94 to 106

0.0

Biggest strengths

These measurements sit in or right beside their ideal ranges and carry your score.

idealSide view

Ideal upper lip position (Burstone)

10.0

This contributes to balanced lips due to the upper lip sitting classically just ahead of Burstone's line.

Upper lip (Burstone) (side view)

idealFront view

Ideal lip fullness

10.0

This contributes to attractive lips due to the lip height sitting in proportion with the width of the mouth.

Lip fullness (front view)

idealSide view

Ideal jawline slope

10.0

This contributes to a defined profile due to the jawline running at a classical slope from corner to chin.

Mandibular plane angle (side view)

idealSide view

Straight nasal bridge

10.0

This contributes to a refined profile due to the bridge running straight from root to tip.

Mid nose projection (side view)

idealFront view

Ideal eye shape

10.0

This contributes to an attractive eye area due to the eye opening being neither overly round nor overly narrow.

Eye aspect ratio (front view)

idealFront view

Ideal eyebrow tilt

10.0

This contributes to a lively eye area due to the brows rising gently toward their peaks.

Eyebrow tilt (front view)

Areas to improve

5 features stand out - fixing what is fixable here moves your score the most.

severeSide view

Recessed midface

-0.28

The midface falls away steeply under the eyes, which reads under-projected.

Interior midface projection (side view)

severeSide view

Soft chin-neck definition

-0.27

The angle under the chin is open, which reads as a soft or receding under-chin area.

Submental cervical angle (side view)

severeSide view

Concave profile

-0.26

The profile runs flat to concave at the nose base, which can read as a prominent chin or flat midface.

Facial convexity (nasion) (side view)

severeFront view

Protruding ears

-0.25

The ears angle out from the head beyond the typical range, which draws attention from the face.

Ear protrusion angle (front view)

severeFront view

Midface-jaw mismatch

-0.23

The midface and jaw taper along visibly different lines, which reads as disharmony between the upper and lower face.

Deviation of IAA and JFA (front view)

Celebrity lookalikes

Both profiles

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Percentiles are modelled estimates centred on an average face at 5.0, not measured population data. Results depend on precise landmark placement, camera angle, and image quality.

Chris Pine's strongest and weakest features

Chris Pine scores 6.86 overall, and his front outscores his profile: 8.37 front against 4.39 side. His eyes, nose, lips and jaw from the front are his strongest features, and his costs come from the profile: the midface, the jaw-to-neck line, a flat profile at the nose base and a projecting nose.

From the front, his lower third and midface ratio are in band and his cheekbones sit high. His eye openings are the ideal shape and his brows tilt correctly. The angle from the base of his nose to his outer eye corners is ideal, his nose bridge is in proportion to his nostrils, his nose is sized correctly to the space between his eyes, and his nose tip sits level with his nostrils. His Cupid's bow has the ideal depth, his chin is in proportion to his philtrum, his lips are full, his upper lip is the ideal length, and his mouth is the right width for his nose. His jaw and neck are the right width. In profile, his lips sit correctly against his chin by Z angle, his face is deep for its height as the ideal asks, and his nose length and mid nose projection are ideal. His upper lip sits on the Burstone, S-line and E-line references, and his jaw corner, jaw plane, jaw proportions and jaw corner height are all ideal.

In profile, the line from his outer eye corner to his nostril crease drops steeply, so his midface carries his nose base forward less than ideal, at 72.4 degrees against 53 to 60, which is his weakest single metric at 1.98 out of 10. His jaw eases into his neck, at 131.6 degrees against 94 to 106, and measured at the nose base, his profile is flatter than ideal, at 175.7 degrees against 163 to 166. His nose projects further than ideal, at 0.86 against 0.59 to 0.67. From the front, his ears stand out from his head at 15.7 degrees against 10 to 11.5, and his jaw angle differs from the angle from nose base to outer eye corners by 11.9 degrees, where 2.5 or less is ideal.