Celebrity analysis

How attractive is Chad Michael Murray - Facial Harmony Analysis

Actor - One Tree Hill, A Cinderella Story, Gilmore Girls

Chad Michael Murray stacks evenly from hairline to chin and holds it all the way down: high cheekbones, a wide brow, eyes with a strong upward tilt and a mouth that sits flush on the profile line. The weak points are thin lips, a face that reads narrow for its length and a soft, undefined transition from chin to neck.

Gender:
Male
Ethnicity:
German, Polish, Scottish and English
Eyes:
Hazel
Harmony:
6.8 / 10
Chad Michael Murray front portrait
Chad Michael Murray side portrait

Analysis by RateMyFaceAI, using AI-placed, hand-verified landmarks on these photographs. Photo angle, expression, and placement affect the result. Read our methodology.

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Harmony report

Chad Michael Murray's facial harmony

Every pin on these photos verified by hand, then scored the same way your own analysis is. These scores describe shape and ratios only.

Front view

7.5

out of 10

Top 1.2%

Side view

5.7

out of 10

Top 38%

Best looking out of 10 people

Front harmony

Front analysis

34 available measurements from this image.

7.5/ 10 harmony
Chad Michael Murray front reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Facial thirds

10.0 / 10

Top third31.13%

Ideal 30 to 32

10.0
Middle third33.61%

Ideal 31.4 to 33.4

9.9
Lower third35.26%

Ideal 33.9 to 37

10.0

Face shape

5.9 / 10

Face width to height1.80

Ideal 1.96 to 2

0.0
Bitemporal width89.57%

Ideal 86.5 to 92.5

10.0
Midface ratio0.92

Ideal 0.97 to 1

8.1
1.6
Cheekbone height89.26%

Ideal 83 to 100

10.0

Eyes and brows

7.9 / 10

Lateral canthal tilt5.5 deg

Ideal 6 to 7.7

9.7
Eyebrow low setedness0.74

Ideal 0 to 0.45

8.0
Eye aspect ratio3.37

Ideal 3 to 3.5

10.0
Eye separation ratio45.39%

Ideal 45.7 to 46.8

9.9
One eye apart test1.36

Ideal 1.05 to 1.1

0.0
Eyebrow tilt6.8 deg

Ideal 6.5 to 11

10.0
Brow length to face width0.64

Ideal 0.69 to 0.76

7.7

Nose

7.6 / 10

Ipsilateral alar angle81.1 deg

Ideal 86.5 to 92.5

0.0
Deviation of IAA and JFA5.2 deg

Ideal 0 to 2.5

8.0
Nose bridge to nose width2.16

Ideal 2.06 to 2.14

9.9
Intercanthal to nasal width1.09

Ideal 1.04 to 1.16

10.0
Nose tip position1.9 mm

Ideal 0 to 3

10.0

Mouth and lips

6.6 / 10

Cupid's bow depth2.5 mm

Ideal 2.3 to 4

10.0
Chin to philtrum ratio2.01

Ideal 2.15 to 2.45

6.9
Lower to upper lip ratio1.61

Ideal 1.55 to 1.85

10.0
Lip fullness0.24

Ideal 0.297 to 0.363

0.0
Interpupillary to mouth width0.78

Ideal 0.83 to 0.87

7.6
Mouth to nose width1.30

Ideal 1.42 to 1.5

1.5
Mouth corner position1.9 mm

Ideal 0 to 4

10.0

Ears

10.0 / 10

Ear protrusion ratio10.52%

Ideal 8 to 12

10.0
Ear protrusion angle10.4 deg

Ideal 10 to 11.5

10.0

Jaw, neck and lower face

8.2 / 10

Jaw slope145.8 deg

Ideal 140 to 142.5

5.6
Bigonial width87.60%

Ideal 87.5 to 91.5

10.0
Lower third proportion34.21%

Ideal 31 to 33.5

5.3
Jaw frontal angle86.3 deg

Ideal 86.5 to 92.5

9.9
Neck width94.57%

Ideal 92 to 98

10.0

Side harmony

Side analysis

34 available measurements from this image.

5.7/ 10 harmony
Chad Michael Murray side reference used for facial harmony analysis

Analysis reference

Hover or tap a score to see its measurement drawn on this image.

Forehead and brow

9.8 / 10

Browridge inclination21.3 deg

Ideal 15 to 22

10.0
Nasofrontal angle114.0 deg

Ideal 116 to 128

9.5
Upper forehead slope1.9 deg

Ideal 0 to 2

10.0

Profile convexity

4.6 / 10

Z angle86.9 deg

Ideal 78 to 82

2.8
Total facial convexity161.4 deg

Ideal 140 to 147

0.0
Orbital vector0.5 mm

Ideal 1 to 10

9.8
Facial convexity (glabella)178.3 deg

Ideal 170 to 175

3.9
Anterior facial depth61.7 deg

Ideal 64.5 to 67.5

6.3
Facial convexity (nasion)177.6 deg

Ideal 163 to 166

0.0
Facial depth to height1.59

Ideal 1.3 to 1.44

3.9
Interior midface projection51.4 deg

Ideal 53 to 60

9.8

Nose

4.8 / 10

Nasal width to height0.76

Ideal 0.67 to 0.83

10.0
Nasal projection0.79

Ideal 0.59 to 0.67

0.0
Nasolabial angle89.7 deg

Ideal 97 to 114

9.1
Nasal tip angle124.1 deg

Ideal 128.5 to 138.5

5.0
Nasomental angle141.8 deg

Ideal 126 to 131

0.0
Nasofacial angle25.3 deg

Ideal 31 to 35

0.0
Nose tip rotation23.2 deg

Ideal 11.5 to 21.5

9.0
Mid nose projection-3.2 mm

Ideal -1.25 to 0.5

0.0
Frankfort tip angle34.0 deg

Ideal 32 to 38

10.0

Lips

10.0 / 10

Upper lip (Burstone)-4.8 mm

Ideal -5.2 to -1.8

10.0
Lower lip (Burstone)-2.7 mm

Ideal -3.2 to -0.8

10.0
Upper lip (S-line)0.1 mm

Ideal -0.4 to 1.4

10.0
Lower lip (S-line)0.4 mm

Ideal -0.4 to 1.4

10.0
Upper lip (E-line)4.2 mm

Ideal 1.2 to 5.8

10.0
Lower lip (E-line)3.0 mm

Ideal 1.1 to 4.4

10.0
Holdaway H line0.4 mm

Ideal -0.2 to 1.2

10.0

Chin and jaw

8.3 / 10

Mentolabial angle151.5 deg

Ideal 111 to 127

0.0
Recession relative to Frankfort9.8 mm

Ideal 1.5 to 15

10.0
Gonial angle118.1 deg

Ideal 115 to 121

10.0
Mandibular plane angle13.0 deg

Ideal 15 to 22

9.6
Ramus to mandible ratio0.67

Ideal 0.62 to 0.75

10.0
Gonion to mouth line22.2 mm

Ideal 15 to 45

10.0

Neck

0.0 / 10

Submental cervical angle127.7 deg

Ideal 94 to 106

0.0

Biggest strengths

These measurements sit in or right beside their ideal ranges and carry your score.

idealFront view

Ideal forehead width

10.0

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

Bitemporal width (front view)

idealSide view

Ideal jaw angle

10.0

This contributes to a harmonious lower face due to the jaw not lacking definition or being overly sharp at its corner.

Gonial angle (side view)

idealFront view

Ideal mouth corner position

10.0

This contributes to a pleasant resting expression due to the corners sitting level with or slightly above the mouth line.

Mouth corner position (front view)

idealSide view

Ideal lower lip position (S-line)

10.0

This contributes to balanced lips due to the lower lip sitting on Steiner's S-line.

Lower lip (S-line) (side view)

idealSide view

Ideal nose proportions

10.0

This contributes to a refined nose due to its projection and height sitting in classical proportion.

Nasal width to height (side view)

idealFront view

Ideal lower third

10.0

This contributes to a harmonious lower face due to the mouth, chin, and jaw holding their classical share of face height.

Lower third (front view)

Areas to improve

5 features stand out - fixing what is fixable here moves your score the most.

severeFront view

Narrow midface

-0.33

The face is narrow for its midface height, which stretches the center of the face vertically.

Face width to height (front view)

severeSide view

Concave profile

-0.27

The profile runs flat to concave at the nose base, which can read as a prominent chin or flat midface.

Facial convexity (nasion) (side view)

severeFront view

Wide intercanthal spacing

-0.26

There is more than one eye-width of space between the eyes, which reads wide-set.

One eye apart test (front view)

severeFront view

Thin lips

-0.25

The lips are shallow for the width of the mouth, which reads as a thin mouth.

Lip fullness (front view)

severeSide view

Soft chin-neck definition

-0.23

The angle under the chin is open, which reads as a soft or receding under-chin area.

Submental cervical angle (side view)

Celebrity lookalikes

Both profiles

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Percentiles are modelled estimates centred on an average face at 5.0, not measured population data. Results depend on precise landmark placement, camera angle, and image quality.

Chad Michael Murray's strongest and weakest features

Chad Michael Murray scores 6.83 overall, and his front outscores his profile: 7.53 front against 5.68 side. His front and his lips in profile are his strongest features, and his costs come from the midface, the eye spacing and the lower profile.

From the front, his upper and lower thirds and his temples are in band, and his cheekbones sit high. His eyes have an ideal aspect ratio and his brows are tilted correctly. His nose is sized correctly to the space between his eyes. His cupid's bow has the right depth, his lips are sized correctly to each other, and his mouth corners sit well. His ears sit flat on both measures, and his bigonial width and neck width are ideal. In profile, his brow ridge and forehead slope are in band, his lips sit on every reference line we measure (Burstone, S-line, E-line and Holdaway), his chin sits at the right depth, and his jaw corner angle, rear jaw length and jaw corner height are ideal.

His largest cost is that his midface reads long for the width of his cheekbones, at 1.80 where 1.96 to 2 is ideal, which takes about 0.33 of a point. His profile is much flatter than ideal, measured at the nose base, at 177.6 degrees against 163 to 166, his jaw eases into his neck at 127.7 degrees against 94 to 106, and the fold between his lower lip and chin is shallow, at 151.5 degrees against 111 to 127. From the front, his eyes are set wide for their length, at 1.36 against 1.05 to 1.1, and his lips are thin, at 0.24 against 0.297 to 0.363.